Cat. No. 444/I
Untitled, plate 1 of 9, from the portfolio, Topiary: The Art of Improving Nature
- State/Variant:
- State I of II
- Date:
- 1998
- Themes
- Nature
- Techniques
- Drypoint
- Dimensions:
- plate: 21 3/4 x 29 13/16" (55.3 x 75.8 cm); sheet: 27 1/2 x 39 1/8" (69.9 x 99.4 cm)
- Signature:
- "LB" lower right margin, pencil.
- Publisher
- unpublished
- Printer
- Harlan & Weaver
- Edition:
- 1 known impression of state I
- Edition Information:
- Proof before the editioning of state II.
- Impression:
- Not numbered
- Background:
- According to Bourgeois’s assistant Jerry Gorovoy, topiary work interested Bourgeois because the cutting and healing of the plant makes the tree stronger.
The editioned state II of this composition was published as a benefit for the Whitney Museum of American Art, New York. - Curatorial Remarks:
- The paper type and plate dimensions of this impression could not be documented because this impression is not in MoMA's Collection and could not be examined in person. The plate dimensions are from the published impression in MoMA's Collection. The sheet dimensions were provided by the Louise Bourgeois Studio.
- Descriptive Title:
- Tree
- Description:
- Drypoint
- Artist’s Remarks:
- Inscribed on the verso of related drawing, "Topiary," 1997: “Robert Hughes or John Russell / Vocabulary of the topiarist / Tree surgeon / The classical style is built on topiary / French garden, formality / Tivoli, the romantic 19th century English-garden / Care-giver – topiarist. = sculpture / The couple – cauterization / Flaming / TAR + shears / Antiseptic / Water=repellent / topiary AP. 97”
Written on a loose sheet, c. 1990s:
“Topiary
The trainer, the teacher, the carver, the butcher
To reject (cut off) and be moral about it
That is the fun
To nurture and train to full potential (valuable, useful)
I am going to cut (reject) everything in sight because I did not get what I wanted
What
To be loved by 1, 2, 3, 4
c’est la peur […]”
(The Easton Foundation: LB-0050)
State I of II
1998
Untitled, plate 1 of 9, from the portfolio, Topiary: The Art of Improving Nature
1998
Source
1997
Topiary
1997
Topiary
1997
Medium: Pencil on paper
Dimensions: sheet: 9 x 11 5/8" (22.9 x 29.5 cm)
© The Easton Foundation/VAGA at ARS, NY
Related Works in the Catalogue
Related Works in Other Mediums
Topiary III
1999
Topiary III
1999
Medium: Steel, fabric, beads, and wood
Dimensions: overall: 27 x 20 x 21" (68.6 x 50.8 x 53.3 cm)
© The Easton Foundation/VAGA at ARS, NY
Topiary
1997
Topiary
1997
Medium: Pencil and ink on paper
Dimensions: sheet: 12 x 9" (30.5 x 22.9 cm)
© The Easton Foundation/VAGA at ARS, NY
Les Lignes de Constructions Sont Invisibles
1997
Les Lignes de Constructions Sont Invisibles
1997
Medium: Ink and charcoal on paper
Dimensions: sheet: 15 x 11 1/4" (38.1 x 28.6 cm)
© The Easton Foundation/VAGA at ARS, NY
Untitled
1997
Untitled
1997
Medium: Ink, watercolor, and gouache on paper
Dimensions: sheet: 11 1/4 x 10 5/8" (28.6 x 27 cm)
© The Easton Foundation/VAGA at ARS, NY
Henriette
1985
Henriette
1985
Medium: Bronze
Dimensions: overall: 60 x 13 x 12" (152.4 x 33 x 30.5 cm)
© The Easton Foundation/VAGA at ARS, NY