Cat. No. 445/II
Untitled, plate 2 of 9, from the portfolio, Topiary: The Art of Improving Nature
- State/Variant:
- State II of II
- Date:
- 1998
- Portfolio:
- Topiary: The Art of Improving Nature
- Themes
- Nature
- Techniques
- Drypoint, Etching
- Support:
- Smooth, wove Magnani Incisione paper
- Dimensions:
- plate: 21 7/8 x 29 13/16" (55.5 x 75.8 cm); sheet: 28 1/16 x 39" (71.3 x 99 cm)
- Signature:
- "Louise Bourgeois. 98" lower right margin, pencil.
- Publisher
- Julie Sylvester-Cabot , Whitney Museum of American Art Editions
- Printer
- Harlan & Weaver
- Edition:
- 28; plus 12 A.P., 3 P.P., 1 H.C., 1 B.A.T.
- Edition Information:
- While no pencil additions appear on this plate, pencil additions do appear on plates 3, 4, and 8 of this portfolio and plates 3 and 4 of another portfolio (A.P. 1/12). It is unknown whether pencil additions occur on portfolios across the edition.
- Impression:
- "a.p. 5/12" lower left margin, pencil, unknown hand.
- Background:
- According to Bourgeois’s assistant Jerry Gorovoy, topiary work interested Bourgeois because the cutting and healing of the plant makes the tree stronger.
Print publisher Julie Sylvester-Cabot founded the Whitney Museum of American Art Editions in 1996, with the purpose of raising funds to be used for acquisitions. The “Topiary” portfolio had its debut at the Whitney in a small 1998 exhibition that also included Bourgeois's 1985 sculpture titled, “Henriette.” - Descriptive Title:
- Tree with Split Trunk
- Description:
- Drypoint and etching
- State Changes and Additions:
- Changes from state I, in etching: composition reinforced overall.
- Benefit Work:
- For Whitney Museum of American Art, New York
- Artist’s Remarks:
- Inscribed on the verso of related drawing, "Topiary," 1997: “Robert Hughes or John Russell / Vocabulary of the topiarist / Tree surgeon / The classical style is built on topiary / French garden, formality / Tivoli, the romantic 19th century English-garden / Care-giver – topiarist. = sculpture / The couple – cauterization / Flaming / TAR + shears / Antiseptic / Water=repellent / topiary AP. 97”
Written on a loose sheet, c. 1990s:
“Topiary
The trainer, the teacher, the carver, the butcher
To reject (cut off) and be moral about it
That is the fun
To nurture and train to full potential (valuable, useful)
I am going to cut (reject) everything in sight because I did not get what I wanted
What
To be loved by 1, 2, 3, 4
c’est la peur […]”
(The Easton Foundation: LB-0050) - Installation Remarks:
- The prints in this portfolio can be shown as a group, or individually.
- Bibliography:
- Manchester, Elizabeth. “Louise Bourgeois: Tree with Trunk, 1998.” Tate Modern website, 2003. www.tate.org.uk/art/artworks/bourgeois-tree-p78621/text-summary. Last accessed November 7, 2014.
This article connects themes in the portfolio to recurring themes in the whole of Bourgeois's artwork, such as amputation and mutilation, the use of trees and plants as a metaphor for the human psyche, and the emotional significance of color. - MoMA Credit Line:
- Gift of the artist
- MoMA Accession Number:
- 416.1999.2
- This Work in Other Collections:
- Albright-Knox Art Gallery, Buffalo, NY
Tate Modern, London
Whitney Museum of American Art, New York
Yale University Art Gallery, New Haven, CT
State II of II
1998
Untitled, plate 2 of 9, from the portfolio, Topiary: The Art of Improving Nature
1998
Source
1997
Topiary
1997
Topiary
1997
Medium: Pencil on paper
Dimensions: sheet: 9 x 11 5/8" (22.9 x 29.5 cm)
© The Easton Foundation/VAGA at ARS, NY
Related Works in the Catalogue
Related Works in Other Mediums
Topiary III
1999
Topiary III
1999
Medium: Steel, fabric, beads, and wood
Dimensions: overall: 27 x 20 x 21" (68.6 x 50.8 x 53.3 cm)
© The Easton Foundation/VAGA at ARS, NY
Topiary
1997
Topiary
1997
Medium: Pencil and ink on paper
Dimensions: sheet: 12 x 9" (30.5 x 22.9 cm)
© The Easton Foundation/VAGA at ARS, NY
The Ladder of Success
1997
The Ladder of Success
1997
Medium: Ink and pencil on music paper.
Dimensions: sheet: 12 x 8 1/2" (30.5 x 21.6 cm)
© The Easton Foundation/VAGA at ARS, NY
Untitled
1968
Untitled
1968
Medium: Ink on paper
Dimensions: sheet: 14 x 11" (35.6 x 27.9 cm)
© The Easton Foundation/VAGA at ARS, NY
Les Lignes de Constructions Sont Invisibles
1997
Les Lignes de Constructions Sont Invisibles
1997
Medium: Ink and charcoal on paper
Dimensions: sheet: 15 x 11 1/4" (38.1 x 28.6 cm)
© The Easton Foundation/VAGA at ARS, NY
Untitled
1997
Untitled
1997
Medium: Ink, watercolor, and gouache on paper
Dimensions: sheet: 11 1/4 x 10 5/8" (28.6 x 27 cm)
© The Easton Foundation/VAGA at ARS, NY
Untitled
1997
Untitled
1997
Medium: Watercolor, ink, pencil, and correction fluid on paper
Dimensions: sheet: 15 x 11 1/4" (38.1 x 28.6 cm)
© The Easton Foundation/VAGA at ARS, NY
Henriette
1985
Henriette
1985
Medium: Bronze
Dimensions: overall: 60 x 13 x 12" (152.4 x 33 x 30.5 cm)
© The Easton Foundation/VAGA at ARS, NY