Untitled, plate 2 of 9, from the portfolio, Topiary: The Art of Improving Nature

Cat. No. 445/I

Untitled, plate 2 of 9, from the portfolio, Topiary: The Art of Improving Nature

State/Variant:
State I of II
Date:
1998
Themes
Nature
Techniques
Drypoint
Dimensions:
plate: 21 7/8" (55.5 cm); sheet: 27 1/2 x 39 1/8" (69.9 x 99.4 cm)
Signature:
"LB" lower right margin, pencil.
Publisher
unpublished
Printer
Harlan & Weaver
Edition:
1 known impression of state I
Edition Information:
Proof before the editioning of state II.
Impression:
Not numbered
Background:
According to Bourgeois’s assistant Jerry Gorovoy, topiary work interested Bourgeois because the cutting and healing of the plant makes the tree stronger.

The editioned state II of this composition was published as a benefit for the Whitney Museum of American Art, New York.
Curatorial Remarks:
The paper type and plate dimensions of this impression could not be documented because this impression is not in MoMA's Collection and could not be examined in person. The plate dimensions are from the published impression in MoMA's Collection. The sheet dimensions were provided by the Louise Bourgeois Studio.
Descriptive Title:
Tree with Split Trunk
Description:
Drypoint
Artist’s Remarks:
Inscribed on the verso of the source drawing: "le 16 mars 1997 / pour toi pourquoi pourvoyer /pour elle pourquand pour parler / pour lui / pour tour pour de bon / pour nous pour ce soir / pour vous pour ansi dire / pour eux pour rire, par faire / nour elles"

Inscribed on the verso of related drawing, "Topiary," 1997: “Robert Hughes or John Russell / Vocabulary of the topiarist / Tree surgeon / The classical style is built on topiary / French garden, formality / Tivoli, the romantic 19th century English-garden / Care-giver – topiarist. = sculpture / The couple – cauterization / Flaming / TAR + shears / Antiseptic / Water=repellent / topiary AP. 97”

Written on a loose sheet, c. 1990s:
“Topiary
The trainer, the teacher, the carver, the butcher
To reject (cut off) and be moral about it
That is the fun
To nurture and train to full potential (valuable, useful)
I am going to cut (reject) everything in sight because I did not get what I wanted
What
To be loved by 1, 2, 3, 4
c’est la peur […]”
(The Easton Foundation: LB-0050)
© The Easton Foundation/VAGA at ARS, NY

Untitled, plate 2 of 9, from the portfolio, Topiary: The Art of Improving Nature

1998

Source

1997

Topiary
States
Untitled, plate 2 of 9, from the portfolio, Topiary: The Art of Improving Nature
Untitled, plate 2 of 9, from the portfolio, Topiary: The Art of Improving Nature

Portfolio

1998

Topiary: The Art of Improving Nature

Related Works in the Catalogue

Topiary
Untitled, plate 1 of 9, from the portfolio, Topiary: The Art of Improving Nature
Untitled, plate 3 of 9, from the portfolio, Topiary: The Art of Improving Nature
Embracing the Tree
Untitled, plate 4 of 9, from the portfolio, Topiary: The Art of Improving Nature
Untitled, plate 9 of 9, from the portfolio, Topiary: The Art of Improving Nature
Untitled (Three Trees), from the editioned series of portfolios, Les Arbres (1-6)
Untitled (Tall Tree), in Les Arbres (5), from the editioned series of portfolios, Les Arbres (1-6)

Related Works in Other Mediums

Topiary III
Topiary
The Ladder of Success
Untitled
Les Lignes de Constructions Sont Invisibles
Untitled
Untitled
Henriette