Untitled, plate 4 of 9, from the portfolio, Topiary: The Art of Improving Nature

Cat. No. 447/I

Untitled, plate 4 of 9, from the portfolio, Topiary: The Art of Improving Nature

State/Variant:
State I of II
Date:
1998
Themes
Body Parts, Nature
Techniques
Drypoint, Etching
Dimensions:
plate: 29 13/16 x 21 13/16" (75.8 x 55.4 cm); sheet: 39 x 27 1/8" (99.1 x 68.9 cm)
Signature:
"LB" lower right margin, pencil.
Publisher
unpublished
Printer
Harlan & Weaver
Edition:
1 known impression of the only state
Edition Information:
Proof before the editioning of state II.
Impression:
Not numbered
Background:
According to Bourgeois’s assistant Jerry Gorovoy, topiary work interested Bourgeois because the cutting and healing of the plant makes the tree stronger.

The editioned state II of this composition was published as a benefit for the Whitney Museum of American Art, New York.
Curatorial Remarks:
The paper type and plate dimensions of this impression could not be documented because this impression is not in MoMA's Collection and could not be examined in person. The plate dimensions are from the published impression in MoMA's Collection. The sheet dimensions were provided by the Louise Bourgeois Studio.
Descriptive Title:
Tree/Legs
Description:
Drypoint and soft ground etching, with charcoal and gouache additions
State Changes and Additions:
Additions in gouache: left leg narrowed and small branches removed, anticipating state II.
Additions in charcoal: small branches added, leg narrowed and shoes further delineated, anticipating state II.
Artist’s Remarks:
Inscribed on the verso of the source drawing: "family tree #2 / Topiary AP 1997"

Inscribed on the verso of related drawing, "Topiary," 1997: “Robert Hughes or John Russell / Vocabulary of the topiarist / Tree surgeon / The classical style is built on topiary / French garden, formality / Tivoli, the romantic 19th century English-garden / Care-giver – topiarist. = sculpture / The couple – cauterization / Flaming / TAR + shears / Antiseptic / Water=repellent / topiary AP. 97”

Written on a loose sheet, c. 1990s:
“Topiary
The trainer, the teacher, the carver, the butcher
To reject (cut off) and be moral about it
That is the fun
To nurture and train to full potential (valuable, useful)
I am going to cut (reject) everything in sight because I did not get what I wanted
What
To be loved by 1, 2, 3, 4
c’est la peur […]”
(The Easton Foundation: LB-0050)
Installation Remarks:
The prints in this portfolio can be shown as a group, or individually.
© The Easton Foundation/VAGA at ARS, NY

Untitled, plate 4 of 9, from the portfolio, Topiary: The Art of Improving Nature

1998

Source

1997

Family Tree #2

Source

1998

Untitled (Topiary)
States
Untitled, plate 4 of 9, from the portfolio, Topiary: The Art of Improving Nature
Untitled, plate 4 of 9, from the portfolio, Topiary: The Art of Improving Nature

Portfolio

1998

Topiary: The Art of Improving Nature

Related Works in the Catalogue

Untitled, plate 4 of 5, from the illustrated book, and plate 4 of 7, from the portfolio, Metamorfosis
Untitled, plate 1 of 9, from the portfolio, Topiary: The Art of Improving Nature
Untitled, plate 2 of 9, from the portfolio, Topiary: The Art of Improving Nature
Untitled, plate 3 of 9, from the portfolio, Topiary: The Art of Improving Nature
Embracing the Tree
Untitled, plate 9 of 9, from the portfolio, Topiary: The Art of Improving Nature

Related Works in Other Mediums

Topiary
Untitled
Henriette