Cat. No. 351a/X (fabric)
Untitled, plate 2 of 5, from the illustrated book, The Laws of Nature
- State/Variant:
- State X of X
- Date:
- 2006
- Illustrated Book:
- The Laws of Nature
- Themes
- Fabric Works, Figures
- Techniques
- Drypoint, Engraving
- Support:
- Fabric
- Dimensions:
- plate: 4 3/4 x 5 13/16" (12.1 x 14.7 cm); page: 9 1/16 x 9 5/8" (23 x 24.5 cm)
- Signature:
- "Louise Bourgeois" lower right center colophon, black ink.
- Publisher
- Harlan & Weaver
- Printer
- Harlan & Weaver
- Edition:
- 10; plus 3 A.P., 2 P.P., and an edition of 25 on paper with 8 A.P., 6 P.P, 2 H.C., 1 B.A.T., 1 T.P.
- Edition Information:
- Outside the published illustrated book editions on paper (2003) and on fabric (2006), there are several additional unpublished but signed formats: a series on fabric, printed in black, in 2 known examples; a series on fabric, printed in red, in 1 known example; and a series printed on a scarf, with plates in a different order, printed in black. (See the Evolving Composition Diagram.) The states of the plates within the various series sometimes differ from the states of the plates within the published editions.
There are also two sets of plates, printed in red, with no signatures. One set, from c. 2003, is on silk; the other, from c. 2006, is on paper. Since the prints in these sets have no signatures, the sets are not considered to be completed series. - Impression:
- "a.p." lower right colophon page, black ink, unknown hand.
- Background:
- The artist told printer Felix Harlan that the figures in this series are playing an adult version of a French children's game, known as "faire des galipettes," meaning to do somersaults. In fact, the expression "faire des galipettes" is also slang for having sex, a punning reference that Bourgeois must have enjoyed.
- Curatorial Remarks:
- The colophon states that the title page and colophon were designed by The Grenfell Press, New York, and printed lithographically by SOLO Impression, New York. Further, it states that SOLO Impression also sewed the embroidery and buttonhole binding.
The colophon states that the backing cloth for each page is from the artist's personal linen collection, and that the printed cloth was dyed to match by Dye-namix, NY. (Dyenamix is the preferred spelling for the name of this firm.)
In contrast to the designation "illustrated book," which contains text, this catalogue designates as a "series" those instances where there is no text accompanying a group of related plates. - Description:
- Drypoint and engraving, with selective wiping
- State Changes and Additions:
- Changes from state IX in engraving: lines reinforced overall
- Pagination:
- Folio 4 of 8 unnumbered folios
- Housing:
- Detachable, snap and buttonhole binding. Lined felt cover, sewn together at front and back edges of spine. "LB" center cover, stitched in red thread. Publisher's slipcase: white, corrugated cardboard (with letterpress name and title plate), made by Mark Tomlinson, Easthampton. MA.
- Other Remarks:
- Publisher Harlan & Weaver stated that SOLO Impression machine-sewed the individual pages of this volume, and that Mercedes Katz made the covers by hand and stitched the "LB" on the front cover. Katz was a seamtress hired by Bourgeois, who worked in the artist's residence starting in 1999.
- Author Information:
- Paulo Herkenhoff is a Brazilian curator and critic who had a longstanding friendship, and professional relationship, with Bourgeois.
- MoMA Credit Line:
- Gift of the artist
- MoMA Accession Number:
- 566.2013.2
State X of X
2006
Untitled, plate 2 of 5, from the illustrated book, The Laws of Nature
2003-2006
State I of X
2000-2001
Untitled, plate 2 of 5, from the illustrated book,<i> The Laws of Nature</i>
2000-2001
State II of X, variant
2000-2001
Untitled, plate 2 of 5, from the illustrated book,<i> The Laws of Nature</i>
2000-2001
State II of X, variant
2000-2001
Untitled, plate 2 of 5, from the illustrated book,<i> The Laws of Nature</i>
2000-2001
State II of X, variant
2000-2001
Untitled, plate 2 of 5, from the illustrated book,<i> The Laws of Nature</i>
2000-2001
State III of X
2000-2001
Untitled, plate 2 of 5, from the illustrated book,<i> The Laws of Nature</i>
2000-2001
State IV of X, variant
2000-2001
Untitled, plate 2 of 5, from the illustrated book,<i> The Laws of Nature</i>
2000-2001
State IV of X, variant
2000-2001
Untitled, plate 2 of 5, from the illustrated book,<i> The Laws of Nature</i>
2000-2001
State V of X
2000-2001
Untitled, plate 2 of 5, from the illustrated book,<i> The Laws of Nature</i>
2000-2001
State VI of X
2001
Untitled, plate 2 of 5, from the series,<i> The Laws of Nature</i>
2001
State VII of X, variant
2001
Untitled, plate 2 of 5, from the illustrated book,<i> The Laws of Nature</i>
2001
State VII of X, variant
c. 2003
Untitled, plate 2 of 5, from the series,<i> The Laws of Nature</i>
c. 2003
State VIII of X
2001-2003
Untitled, plate 2 of 5, from the illustrated book,<i> The Laws of Nature</i>
2001-2003
State IX of X, variant
c. 2003
Untitled, plate 2 of 5, from the series,<i> The Laws of Nature</i>
c. 2003
State IX of X, variant
c. 2003
Untitled, plate 2 of 5, from the series,<i> The Laws of Nature</i>
c. 2003
State IX of X, variant
c. 2003
<i>Untitled, plate 2 of 5, from the illustrated book, The Laws of Nature</i>
c. 2003
State IX of X
2003
Untitled, plate 2 of 5, from the illustrated book,<i> The Laws of Nature</i>
2003
State X of X, variant
c. 2006
Untitled, plate 2 of 5, from the illustrated book,<i> The Laws of Nature</i>
c. 2006
State X of X
2006
Untitled, plate 2 of 5, from the illustrated book,<i> The Laws of Nature</i>
2006
Illustrated Book
2003
The Laws of Nature
2003
<i>The Laws of Nature</i>
2003
Illustrated Book
2006
The Laws of Nature
2006
<i>The Laws of Nature</i>
2006
Series
c. 2003
The Laws of Nature
c. 2003
<i>The Laws of Nature</i>
c. 2003
Series
2001-2003
The Laws of Nature
2001-2003
<i>The Laws of Nature</i>
2001-2003
Series
c. 2003
The Laws of Nature
c. 2003
<i>The Laws of Nature</i>
c. 2003
Series
c. 2003
The Laws of Nature
c. 2003
<i>The Laws of Nature</i>
c. 2003
Related Works in the Catalogue
The Couple, plate 5 of 7, from the portfolio, La Réparation
State XVII of XVII
2003
<i>The Couple</i>, plate 5 of 7, from the portfolio,<i> La Réparation</i>
2003
Related Works in Other Mediums
Couple
2001
Couple
2001
Medium: Fabric
Dimensions: overall: 19 x 6 x 6 1/2" (48.3 x 15.2 x 16.5 cm)
© The Easton Foundation/VAGA at ARS, NY
Couple
2001
Couple
2001
Medium: Fabric
Dimensions: overall: 20 x 7 x 6" (50.8 x 17.8 x 15.2 cm)
© The Easton Foundation/VAGA at ARS, NY
The Couple
2007
The Couple
2007
Medium: Gouache and pencil on paper
Dimensions: sheet: 23 1/2 x 18" (59.7 x 45.7 cm)
© The Easton Foundation/VAGA at ARS, NY
Le Bateau Adulte Enfant(The Laws of Nature)
1997
Le Bateau Adulte Enfant(The Laws of Nature)
1997
Medium: Ink, pencil, and correction fluid on paper
Dimensions: sheet: 9 x 22 5/8" (22.9 x 57.5 cm)
© The Easton Foundation/VAGA at ARS, NY
Paulo Herkenhoff,
Notes on the Laws of Nature,
2003Desire challenges the laws of nature. It defies the rules of anatomy, gravity, time, and language. In the encounter between the body and desire, muscles and tissues gain elasticity and tonus, migrating beyond the logic of corporeal boundaries. Body language is the utterance of the unspeakable.
There is silence in desire. In the melody of the pas de deux, the bodies write themselves. One is inscribed in the other. The dance of desire is the calligraphy of seduction.
The language of the body is a topological choreography similar to a Moebius strip, where the actual continuity of One and the Other is a surface without inside and outside. What estrangement is possible? Fusion fears separation while phantoms anticipate it, leading lovers to melancholic fantasies of incorporation. It is the eve of loss. One body nourishes while one is nourished.
A print is the memory of the body of the Other in our body. The act of turning a page reiterates the action of lightly touching the Other. The dance of love passes through our fingers. Closing this book is wrapping the body in the memory of a precious moment.
Desire wants no end. Lovers experience suspended time. Amor fugit. The only fragile defense against time is the poetical belief in the imaginary quality of love as being eternal. The lovers hold each other and will not be separated. At the end, the world is totally upside-down.