Cat. No. 493, study 5
Untitled (Study for Untitled, plate 4 of 5, from the illustrated book, and plate 4 of 7, from the portfolio, Metamorfosis)
- State/Variant:
- Study
- Date:
- 1997
- Themes
- Body Parts, Objects
- Techniques
- Other Techniques
- Support:
- Tracing paper
- Dimensions:
- sheet: 15 3/16 x 15 15/16" (38.5 x 40.5 cm)
- Signature:
- Not signed
- Publisher
- unpublished
- Edition:
- 5 known photocopy studies
- Impression:
- Not numbered
- Background:
- “Metamorfosis” is a collaboration initiated by Maria Fluxà, a Spanish gallery owner and collector. Fluxà first encountered Bourgeois’s work at the 1982 MoMA retrospective and felt a particular emotional connection to the “Femme Maison.” She then began enthusiastically collecting Bourgeois’s work, which she displayed in her gallery, Lluc Fluxà, in Palma de Mallorca (Spain). Taking inspiration from Bourgeois's themes of memory, identity, and trauma, Fluxà also staged a performance at her gallery titled “Götterdämmerung” that dealt with her own upbringing.
In 1993, Fluxà met Bourgeois at the MoMA opening of a Joan Miró exhibition, introducing herself as an admirer and collector. She later visited the artist, which led to discussions about a possible collaboration between the two.
Bourgeois had a sympathetic response to Fluxà’s difficult relationship with her father, a problem she shared. After meeting over the next several years, she agreed to participate in a collaborative work that became the illustrated book entitled, "Metamorfosis." Here, Fluxà creates a fusion of words and imagery that conflates her own identity with that of the artist. Bourgeois allowed images of her work to contribute to this fusion, and also created five prints especially for the volume. The book was published by Galerie Lelong, Paris, in 1999. For a deluxe edition, the volume was accompanied by a portfolio with two additional prints, making a total of seven compositions created by Bourgeois in conjunction with this project.
In 2005, Fluxà and Dolors Caballero organized the exhibition and catalogue, "Louise Bourgeois: Repairs in the sky" at the Pilar and Joan Miró Foundation, in Mallorca. In 2008, Fluxà and Caballero also organized "La Sage Femme: Louise Bourgeois," an exhibition and catalogue of Fluxà's collection of Bourgeois works, at Sala Espacio AV, in Murcia (Spain). - Curatorial Remarks:
- The imagery of anthropomorphized shoes is believed to be in reference to the important shoe manufacturing business owned by Fluxà’s family. The family business was run by Fluxà’s patriarchal father and contributed largely to her feelings of inferiority, addressed in both her performance and in “Metamorfosis.”
- Descriptive Title:
- High Heels
- Description:
- Photocopy, with blue ink, pencil, green pencil, and tape additions
- Artist’s Remarks:
- Inscribed on the verso of the source drawing: "If you / wear / talon en / aiguille / it makes / you / very / sexy" center right sheet, blue ink, artist's hand.
- MoMA Credit Line:
- Gift of the artist
- MoMA Accession Number:
- 482.2010
© The Easton Foundation/VAGA at ARS, NY
Open to compare works
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Study
1997
A
B
Untitled, plate 4, from the illustrated book and the portfolio, Metamorfosis
1997-1999
Source
1997
Not in MoMA's Collection
Untitled
1997
Not in MoMA's Collection
Untitled
1997
Medium: Ink and pencil on music paper
Dimensions: sheet: 8 1/8 x 11" (20.6 x 27.9 cm)
© The Easton Foundation/VAGA at ARS, NY
Studies
First Version
Second Version
Related Works in the Catalogue
Related Works in Other Mediums
Not in MoMA's Collection
Untitled
1997
Not in MoMA's Collection
Untitled
1997
Medium: Ink on graph paper
Dimensions: sheet: 6 3/8 x 8 5/8" (16.2 x 21.9 cm)
© The Easton Foundation/VAGA at ARS, NY
Not in MoMA's Collection
Untitled
1996
Not in MoMA's Collection
Untitled
1996
Medium: Ink and pencil on graph paper
Dimensions: sheet: 2 7/8 x 2 5/8" (7.3 x 6.7 cm)
© The Easton Foundation/VAGA at ARS, NY
Not in MoMA's Collection
Untitled
1997
Not in MoMA's Collection
Untitled
1997
Medium: Ink and pencil on paper
Dimensions: sheet: 9 x 11 5/8" (22.9 x 29.5 cm)
© The Easton Foundation/VAGA at ARS, NY
Not in MoMA's Collection
High Heels
1998
Not in MoMA's Collection
High Heels
1998
Medium: Fabric and steel
Dimensions: overall: 14 × 29 1/2 × 8" (35.6 × 74.9 × 20.3 cm)
© The Easton Foundation/VAGA at ARS, NY