Untitled, plate 4 of 7, from the portfolio, Metamorfosis

Cat. No. 493b.2

Untitled, plate 4 of 7, from the portfolio, Metamorfosis

State/Variant:
Version 2 of 2, only state
Date:
1999
Portfolio:
Metamorfosis
Themes
Body Parts, Objects
Techniques
Drypoint
Support:
Smooth, wove paper
Dimensions:
plate: 11 5/8 x 11 11/16" (29.6 x 29.7 cm); sheet: 16 9/16 x 14 15/16" (42 x 37.9 cm)
Signature:
"Louise Bourgeois" lower right margin, pencil.
Publisher
Galerie Lelong
Printer
Atelier Tanguy Garric
Edition:
25; plus 10 A.P., 5 H.C., and an illustrated book version with an edition of 85
Edition Information:
There are 3 known impressions of version 2, only state, outside the editions; only one is illustrated due to the similarity of the others to the impressions seen here.

The illustrated books numbered 1/25-25/25 in the edition of 85 are accompanied by a portfolio of 7 prints (the 5 compositions represented in the book and 2 additional compositions). The remaining 60 illustrated books in the edition are numbered 26/85-85/85 and are not accompanied by portfolios. The A.P. illustrated books (A.P. I-X of XX) and the H.C. illustrated books (H.C. 1-5) are accompanied by the portfolio of 7 prints. In all, there are 40 illustrated books accompanied by portfolios.
Impression:
"EA III/X" lower left margin, pencil, unknown hand.
Background:
“Metamorfosis” is a collaboration initiated by Maria Fluxà, a Spanish gallery owner and collector. Fluxà first encountered Bourgeois’s work at the 1982 MoMA retrospective and felt a particular emotional connection to the “Femme Maison.” She then began enthusiastically collecting Bourgeois’s work, which she displayed in her gallery, Lluc Fluxà, in Palma de Mallorca (Spain). Taking inspiration from Bourgeois's themes of memory, identity, and trauma, Fluxà also staged a performance at her gallery titled “Götterdämmerung” that dealt with her own upbringing.

In 1993, Fluxà met Bourgeois at the MoMA opening of a Joan Miró exhibition, introducing herself as an admirer and collector. She later visited the artist, which led to discussions about a possible collaboration between the two.

Bourgeois had a sympathetic response to Fluxà’s difficult relationship with her father, a problem she shared. After meeting over the next several years, she agreed to participate in a collaborative work that became the illustrated book entitled, "Metamorfosis." Here, Fluxà creates a fusion of words and imagery that conflates her own identity with that of the artist. Bourgeois allowed images of her work to contribute to this fusion, and also created five prints especially for the volume. The book was published by Galerie Lelong, Paris, in 1999. For a deluxe edition, the volume was accompanied by a portfolio with two additional prints, making a total of seven compositions created by Bourgeois in conjunction with this project.

In 2005, Fluxà and Dolors Caballero organized the exhibition and catalogue, "Louise Bourgeois: Repairs in the sky" at the Pilar and Joan Miró Foundation, in Mallorca. In 2008, Fluxà and Caballero also organized "La Sage Femme: Louise Bourgeois," an exhibition and catalogue of Fluxà's collection of Bourgeois works, at Sala Espacio AV, in Murcia (Spain).
Curatorial Remarks:
Bourgeois worked with the printer Harlan & Weaver, New York, to develop the compositions in "Metamorfosis." The plates were then turned over to the printer Atelier Tanguy Garric, Paris, for editioning and publication by Galerie Lelong, Paris.

The imagery of anthropomorphized shoes is believed to be in reference to the important shoe manufacturing business owned by Fluxà’s family. The family business was run by Fluxà’s patriarchal father and contributed largely to her feelings of inferiority, addressed in both her performance and in “Metamorfosis.”
Descriptive Title:
High Heels
Description:
Drypoint
State Changes and Additions:
Changes from version 1, only state, in drypoint: image transferred to new plate; thickness of lines diminished; toes reconfigured.
Artist’s Remarks:
Inscribed on the verso of the source drawing: "If you / wear / talon en / aiguille / it makes / you / very / sexy" center right sheet, blue ink, artist's hand.
Installation Remarks:
The prints in this portfolio and in the illustrated book version can be shown as a group or individually.
MoMA Credit Line:
Gift of the artist
MoMA Accession Number:
22.2002.B4
This Work in Other Collections:
Tate Modern, London
© The Easton Foundation/VAGA at ARS, NY

Untitled, plate 4, from the illustrated book and the portfolio, Metamorfosis

1997-1999

Source

1997

Untitled
Studies
Untitled (Study for Untitled, plate 4 of 5, from the illustrated book, and plate 4 of 7, from the portfolio, Metamorfosis)
Untitled (Study for Untitled, plate 4 of 5, from the illustrated book, and plate 4 of 7, from the portfolio, Metamorfosis)
Untitled (Study for Untitled, plate 4 of 5, from the illustrated book, and plate 4 of 7, from the portfolio, Metamorfosis)
Untitled (Study for Untitled, plate 4 of 5, from the illustrated book, and plate 4 of 7, from the portfolio, Metamorfosis)
Untitled (Study for Untitled, plate 4 of 5, from the illustrated book, and plate 4 of 7, from the portfolio, Metamorfosis)
First Version
Untitled, plate 4 of 5, from the illustrated book, and plate 4 of 7, from the portfolio, Metamorfosis
Untitled, plate 4 of 5, from the illustrated book, and plate 4 of 7, from the portfolio, Metamorfosis
Untitled, plate 4 of 5, from the illustrated book, and plate 4 of 7, from the portfolio, Metamorfosis
Second Version
Untitled, plate 4 of 5, from the illustrated book, Metamorfosis
Untitled, plate 4 of 5, from the illustrated book, Metamorfosis
Untitled, plate 4 of 7, from the portfolio, Metamorfosis

Portfolio

1999

Metamorfosis

Illustrated Book

1999

Metamorfosis

Related Works in the Catalogue

The Night
The Red Shoes

Related Works in Other Mediums

Untitled
Untitled
Untitled
High Heels