Cat. No. 843/IV, variant 2
Untitled
- State/Variant:
- State IV of VIII, variant
- Date:
- 1997-2000
- Themes
- Nature
- Techniques
- Drypoint
- Support:
- Smooth, wove paper
- Dimensions:
- plate: 9 7/16 x 7 3/8" (23.9 x 18.8 cm); sheet: 11 7/16 x 9 1/16" (29 x 23 cm)
- Signature:
- Not signed
- Publisher
- unpublished
- Printer
- Harlan & Weaver
- Edition:
- 3 known impressions of state IV
- Edition Information:
- Not issued as a published edition at any state.
- Impression:
- Not numbered
- Background:
- Proximity to rivers was of importance to the Bourgeois family's tapestry restoration business. This connection to rivers remained with the artist long after her childhood and inspired a number of projects, including "Water Divide," "Ode à la Bièvre," and "Point d'ironie," seen in Related Works in the Catalogue below.
Bourgeois began this untitled composition of French waterways in 1997. She continued to work on this composition into the 2000s, incorporating changes to the composition after making a source drawing on a photocopied map of France. - Curatorial Remarks:
- An additional known impression of this composition was not available for reproduction. From a poor quality image of the print, it has been determined that it may be an impression of an additional state that comes between states II and III, as illustrated in the Evolving Composition Diagram below. The print in question appears to have been burnished in the upper left composition, and not yet further developed in the lower left. This was determined without the benefit of being able to examine the print in person. It is inscribed by the artist "1997 / L'année du voyage / en France / Le 5 mai Becky a 14 ans / Bon Anniversaire" in the lower composition, and signed "LB" in the lower right composition. This impression was gifted to the daughter of a close friend on the occasion of her first visit to France.
- Descriptive Title:
- Rivers of France; Map of France
- Description:
- Drypoint, with red ink and pencil additions
- State Changes and Additions:
- Changes from state III, in drypoint: upper right comp. further delineated; some lines reinforced.
- Other Remarks:
- According to Felix Harlan, of Harlan & Weaver, New York, Bourgeois's map compositions stem from her desire to sort through memories and associations with different places. The artist used preexisting maps as references for her own abstracted compositions, excluding the information essential to map reading. In this way, the maps served more as personal documents for the artist, rather than as references or guides.
- MoMA Credit Line:
- Gift of the artist
- MoMA Accession Number:
- 744.2008
© The Easton Foundation/VAGA at ARS, NY
Open to compare works
Select a work in the diagram below
State IV of VIII, variant
1997-2000
A
B
Untitled
1997-2010
Source
2004
Not in MoMA's Collection
Untitled
2004
Not in MoMA's Collection
Untitled
2004
Medium: Ink, pencil, and colored pencil on paper
Dimensions: sheet: 15 × 13 3/8" (38.1 × 34 cm)
© The Easton Foundation/VAGA at ARS, NY
States
Related Works in the Catalogue
Related Works in Other Mediums
Not in MoMA's Collection
Topologie
1995
Not in MoMA's Collection
Topologie
1995
Medium: Watercolor, ink, crayon, and pencil on paper
Dimensions: sheet: 11 15/16 × 9" (30.3 × 22.9 cm)
© The Easton Foundation/VAGA at ARS, NY
Not in MoMA's Collection
Untitled, no. 133 of 220, from the series, The Insomnia Drawings
1995
Not in MoMA's Collection
Untitled, no. 133 of 220, from the series, The Insomnia Drawings
1995
Medium: Ink on tracing paper
Dimensions: sheet: 9 × 12" (22.9 × 30.5 cm)
© The Easton Foundation/VAGA at ARS, NY