Cat. No. 842/II
Water Divide
- State/Variant:
- State II of II
- Date:
- 1995
- Alternate Title:
- Watershed
- Themes
- Nature
- Techniques
- Engraving, Relief
- Support:
- Smooth, thin, laid paper
- Dimensions:
- composition: 14 5/8 x 14 3/16" (37.1 x 36.1 cm); sheet: 25 1/16 × 19 5/16" (63.7 × 49.1 cm)
- Signature:
- "Louise Bourgeois 1995" right lower margin, pencil.
- Publisher
- Louise Bourgeois
- Printer
- Harlan & Weaver
- Edition:
- 5
- Edition Information:
- There are 3 known impressions of state II, outside the edition.
The third known impression of this state is in MoMA's Collection (Accession Number: 1617.2012). It is not illustrated, due to its similarity to the impression seen here. - Impression:
- "4/5" right lower margin, pencil, artist's hand.
- Background:
- Proximity to rivers was of importance to the Bourgeois family's tapestry restoration business. This connection to rivers remained with the artist long after her childhood and inspired a number of projects, including "Ode à la Bièvre" and "Point d'ironie," both seen in Related Works in the Catalogue below.
- Descriptive Title:
- Rivers of France
- Description:
- Engraving, printed in relief
- Inscription:
- "Water Divide" right lower margin, pencil, artist's hand.
- Other Remarks:
- According to Felix Harlan, of Harlan & Weaver, New York, Bourgeois's map compositions stem from her desire to sort through memories and associations with different places. The artist used preexisting maps as references for her own abstracted compositions, excluding the information essential to map reading. In this way, the maps served more as personal documents for the artist, rather than as references or guides.
This composition was executed on a scrap metal plate found in Bourgeois's basement studio. The plate was engraved and printed in relief because the lead material was too soft to withstand the heavy pressure of the press.
The artist first had test printings made of two potential plates to see their texture. A smaller plate was printed on both sides and was rejected for use. A test printing of a larger plate was deemed satisfactory, and the artist proceeded with the composition on that plate, seen here. - MoMA Credit Line:
- Gift of the artist
- MoMA Accession Number:
- 49.1998
© The Easton Foundation/VAGA at ARS, NY
Related Works in the Catalogue
Related Works in Other Mediums
Not in MoMA's Collection
Topologie
1995
Not in MoMA's Collection
Topologie
1995
Medium: Watercolor, ink, crayon, and pencil on paper
Dimensions: sheet: 11 15/16 × 9" (30.3 × 22.9 cm)
© The Easton Foundation/VAGA at ARS, NY
Not in MoMA's Collection
Untitled, no. 133 of 220, from the series, The Insomnia Drawings
1995
Not in MoMA's Collection
Untitled, no. 133 of 220, from the series, The Insomnia Drawings
1995
Medium: Ink on tracing paper
Dimensions: sheet: 9 × 12" (22.9 × 30.5 cm)
© The Easton Foundation/VAGA at ARS, NY