Cat. No. 663.2
Has the Day Invaded the Night, or Has the Night Invaded the Day?, no. 5 of 9, from the series, What Is the Shape of This Problem?
- State/Variant:
- Component A: version 2, only state; component B: only state
- Date:
- 1999
- Series:
- What Is the Shape of This Problem?
- Themes
- Abstraction, Words
- Techniques
- Relief
- Support:
- Smooth, wove Arches paper
- Dimensions:
- sheet (component A): 12 × 17" (30.5 × 43.2 cm); sheet (component B): 12 × 17" (30.5 × 43.2 cm)
- Signature:
- "LB" right lower sheet (each), pencil.
- Publisher
- Galerie Lelong , Galerie Lelong
- Printer
- SOLO Impression
- Edition:
- 25; plus 14 A.P. (3 are isolated pairs of text-image diptychs), 4 P.P., 3 T.P., 2 H.C., 1 B.A.T.
- Edition Information:
- In an unusual numbering system for the A.P.s, numbers 1-11 were given to complete sets, but numbers 12, 13, and 14 were given to isolated pairs of text-image diptychs, according to printer Judith Solodkin of SOLO Impression. Solodkin does not recall which specific diptychs were numbered 12, 13, and 14.
There are 2 known variant impressions of component A, version 2, only state, outside the edition. The additional known impression outside the edition is in MoMA's Collection (Accession Number: 1413.2008). It is not illustrated due to its similarity to the impression seen here. - Impression:
- "AP 2" left lower sheet (each), pencil, unknown hand.
- Background:
- The text in this series was taken from Bourgeois's diary entries, spanning some forty years. The images are based on drawings created in the 1990s. Printer Judith Solodkin of SOLO Impression made photo-enlargements of the drawings and transferred them to letterpress plates.
- Curatorial Remarks:
- This series was reproduced on a set of note cards as a merchandise item. A tote bag merchandise item was made from no. 9.
- Description:
- Letterpress
- State Changes and Additions:
- State Changes, component A:
Changes from version 1: negative image of composition transferred to new matrix, in letterpress. - Installation Remarks:
- Each diptych in this series constitutes a single composition and must be exhibited in a vertical configuration as illustrated, or alternatively, with the text on top of the image. The diptychs in the series may be exhibited together or separately, and there is no required sequence.
- MoMA Credit Line:
- Gift of the artist
- MoMA Accession Number:
- 135.2000.6a-b
- This Work in Other Collections:
- Graphische Sammlung ETH Zürich, Switzerland
The Metropolitan Museum of Art, New York
Tate Modern, London
Component A: version 2, only state; component B: only state
1999
Has the Day Invaded the Night, or Has the Night Invaded the Day? , no. 5 of 9, from the series, What ...
1999
Source
1998
Untitled
1998
Untitled
1998
Medium: Ink on paper
Dimensions: sheet: 8 5/8 × 11 7/8" (21.9 × 30.2 cm)
© The Easton Foundation/VAGA at ARS, NY
Related Works in the Catalogue
Related Works in Other Mediums
Untitled
1998
Untitled
1998
Medium: Ink and gouache on music paper
Dimensions: sheet: 12 × 8 3/4" (30.5 × 22.2 cm)
© The Easton Foundation/VAGA at ARS, NY
Untitled
1998
Untitled
1998
Medium: Ink on paper
Dimensions: sheet: 8 3/4 × 12" (22.2 × 30.5 cm)
© The Easton Foundation/VAGA at ARS, NY
Untitled
1996
Untitled
1996
Medium: Ink on paper
Dimensions: sheet: 9 × 11 7/8" (22.9 × 30.2 cm)
© The Easton Foundation/VAGA at ARS, NY
Has the Day Invaded the Night or Has the Night Invaded the Day?
2007
Has the Day Invaded the Night or Has the Night Invaded the Day?
2007
Medium: Aluminum, steel, and electric elements
Dimensions: overall: 90 3/16 × 49 5/8 × 46 7/16" (229 × 126 × 118 cm)
© The Easton Foundation/VAGA at ARS, NY
Louise Bourgeois,
What Is the Shape of This Problem?,
New York: Galerie Lelong, 1999No. 5 of 9
Has the day invaded the night, or has the night invaded the day?