Triptych for the Red Room

Cat. No. 1071/triptych 2

Triptych for the Red Room

State/Variant:
Component A: version 2 of 2, state VIII of VIII; Component B: version 3 of 3, state VI of VI; Component C: version 2 of 2, state IX of IX
Date:
1994
Themes
Figures, Motherhood & Family
Techniques
Aquatint, Drypoint, Engraving
Support:
Smooth, wove Hahnemühle paper (3 sheets)
Dimensions:
plate (a): 18 15/16 x 23 13/16" (48.1 x 60.5 cm); sheet (a): 27 13/16 x 32 5/16" (70.6 x 82.1 cm); plate (b): 18 13/16 x 35 9/16" (47.8 x 90.4 cm); sheet (b): 27 13/16 x 42 1/16" (70.7 x 106.8 cm); plate (c): 18 13/16 x 29 5/16" (47.8 x 74.4 cm); sheet (c): 27 7/8 x 37 5/8" (70.8 x 95.5 cm)
Signature:
Each signed "Louise Bourgeois" lower right margin, pencil.
Publisher
Peter Blum Edition
Printer
Harlan & Weaver
Edition:
30; plus 10 A.P. (numbered I/X - X/X)
Edition Information:
There are 2 known variant impressions of the version 1, outside the edition.

One known variant impression of version 1, including chine collé, is not illustrated. It is in the collection of The Museum of Fine Arts, Houston.

This composition was issued as 4 separate editions:

Single sheet: “Arched Figure”: 50; plus 10 P.P. (numbered I/X-X/X)

Diptych: “Diptych for the Red Room”: 3

Triptych 1: “Arch of Hysteria” (photocopy; reduced size): 3 completed, of an announced edition of 7

Triptych 2: “Triptych for the Red Room”: 30; plus 10 A.P.

In the evolution of “Triptych for the Red Room,” the artist worked with impressions of components A, B, and C at various states. She also combined impressions at various states to create 6 unnumbered triptychs: three signed, with hand additions; two signed, with no hand additions; one unsigned, with no hand additions.

The Evolving Composition Diagram includes all works described above.

There are 4 printer's studies in MoMA's Collection (Accession Numbers: 470.2010, 471.2010, 472.2010, 473.2010). They are not illustrated here.
Impression:
"X/X"
Background:
"Triptych for the Red Room" was first exhibited in 1994 at Peter Blum Gallery with Bourgeois' related dual installation pieces, "Red Room (Parents)" and "Red Room (Child)" (see Related Works in Other Mediums).
Curatorial Remarks:
Catalogue Numbers for the various impressions refer to their location within the Evolving Composition Diagram, rather than to the version or state.
Description:
Aquatint, drypoint, and engraving
Inscription:
Verso (a): "Bring other plate / back" lower center sheet, brown colored pencil, artist's hand.

Inscribed on the source drawing for component C: "Which one are you? Today? / The tall one or the short one / I can be either one. / You have to be / Ready to deal /
with a scene / like this. I could not / even carry the bundle"
State Changes and Additions:
Matrices:
The progression of this composition involved 13 plates as well as photocopy versions of each component. The 13 plates included linear elements of the composition in drypoint and engraving; aquatint shading in the figures’ bodies; and various aquatint backgrounds.

State Changes:
Given the complexity of the development of this composition, the Evolving Composition Diagram is arranged by Component (A, B, and C for each sheet of this 3-sheet composition) and Format (single sheet, diptych and triptych) rather than by State and Version. State and Version changes are described, but specific plates (of the 13 utilized for this composition) are not identified.

(A): Changes from version 2, state VII, by burnishing: stray aquatint removed from adult’s ribs.
Changes from version 2, state VII, in aquatint: new layer of aquatint added to background.

(B): Changes from version 3, state V, by burnishing: stray aquatint removed from arched child’s arms; hatching removed from arched child’s lower ribcage.
Changes from version 3, state V, in drypoint: hatched lines in adult female connected to create vertical lines.

(C): Changes from version 2, state VIII, by burnishing: shading in child’s shoulder partially removed; intersecting lines and overlapping aquatint removed from adult’s right exterior ribcage; stray aquatint removed right side of child’s ribs and forehead.
Changes from version 2, state VIII, in drypoint: shading on adult’s stomach reinforced.
Artist’s Remarks:
Inscribed on the source drawing for component C: "Which one are you? Today? / The tall one or the short one / I can be either one. / You have to be / Ready to deal / with a scene / like this. I could not / even carry the bundle"
MoMA Credit Line:
Gift of the artist
MoMA Accession Number:
46.1998.a-c
This Work in Other Collections:
Cleveland Museum of Art, OH
Davis Museum, Wellesley College, Wellesley, MA
Junta de Andalucia Centro Andaluz de Arte Contemporáneo, Spain
Tate Modern, London
Tate Modern, London and National Galleries Scotland, Edinburgh. Lent by the Artist Rooms Foundation
© The Easton Foundation/VAGA at ARS, NY

Arched Figure ; Arch of Hysteria ; Diptych for the Red Room ; Triptych for the Red ...

1992-2000

Source

1992

Altered States

Source

1992

Arch of Hysteria (double-sided)

Source

1991

Untitled
Component A
Triptych for the Red Room
Study for Component B
Untitled (Study for Arch of Hysteria)
Component B
Arched Figure
Arched Figure
Component C
Triptych for the Red Room
Triptych for the Red Room
Triptych for the Red Room
Diptych
Diptych for the Red Room
Triptych
Arch of Hysteria
Arch of Hysteria
Arch of Hysteria
Triptych for the Red Room
Triptych for the Red Room
Triptych for the Red Room
Triptych for the Red Room
Triptych for the Red Room
Triptych for the Red Room
Triptych for the Red Room

Related Works in the Catalogue

Untitled
Untitled, plate 2 of 5, from the illustrated book, The Laws of Nature
Arch of Hysteria, plate 19 of 24, from the series, Self Portrait

Related Works in Other Mediums

Arch of Hysteria
Red Room (Parents)
Untitled (Arch of Hysteria)
Arch of Hysteria
Red Room (Child)
Red Room
Arched Figure
Untitled (Arch of Hysteria)
Untitled (Arch of Hysteria)
Cell (Arch of Hysteria)
Arched Figure No. 1
Arched Figure No. 2
Arched Figure No. 3
Arch of Hysteria
Untitled