Cat. No. 826, unique variant, in 835
Untitled, no. 10 of 11, from the series, Extreme Tension
- State/Variant:
- Only state, unique variant
- Date:
- 2007
- Series:
- Extreme Tension
- Alternate Title:
- The Twist
- Themes
- Abstraction
- Techniques
- Etching
- Support:
- Paper (2 attached sheets)
- Dimensions:
- plate: 60 1/4 × 18 13/16" (153 × 47.8 cm); sheet (overall): 58 7/16 × 49 3/16" (148.5 × 125 cm) (plate dimensions reflect full plate size; this is a partial print)
- Signature:
- panel (b): "LB" lower right comp., pencil.
- Publisher
- Osiris
- Printer
- Wingate Studio
- Edition:
- Unique
- Edition Information:
- This is one of 5 unique variants outside the edition to incorporate this plate, printed alone or in combination with other plates in multi-panel works. When the plate is used alone, the work is included in the Evolving Composition Diagram. When it is printed with another plate, it is included in Related Works in the Catalogue.
See Evolving Composition Diagram:
Untitled, no. 10 of 11, from the series, "Extreme Tension"
See Related Works in the Catalogue:
Untitled, no. 1 of 2, from the series, "What Hurts"
"Anthropomorphic View of the World"
Untitled, no. 1 of 3, from the series, "Jalouse"
Untitled, no. 1 of 3, from the series, "Sainte Nitouche"
About "The Twist" edition:
Within the edition, selective wiping and sheet size vary slightly from impression to impression. There is 1 known variant impression of the only state, outside the edition, seen in the Evolving Composition Diagram below. There are 2 known cancellation proofs, each with a large "X" drawn across the composition from each corner of the plate. - Impression:
- Not numbered
- Background:
- Benjamin Shiff, the director of the Osiris imprint, collaborated with Bourgeois in a highly experimental phase of printmaking that occupied the last years of her life, from 2005 to 2010. He first established a working relationship with the artist in the 1990s, but the late period is particularly noteworthy for the innovative and complex large-scale projects that evolved at that time. Shiff made use of professional workshops for printing, but he oversaw the creation of the printing plates as Bourgeois worked on them in her home studio. He also provided assistance as she added extensive hand additions and texts, and as she combined individual compositions into multi-panel works and illustrated books.
- Curatorial Remarks:
- The paper type could not be documented because this work is not in MoMA's Collection and could not be examined in person. The plate dimensions are from an impression in MoMA's Collection. The overall sheet dimensions were provided by the Louise Bourgeois Studio.
- Description:
- panel (a): Pencil
panel (b): Soft ground etching - Installation Remarks:
- This composition is one of 11 that constitute a single work of art. All of these compositions are to be exhibited together and in the indicated sequence.
Only state, unique variant
2007
The Twist
2007
Only state, variant
2007
<i>The Twist</i>
2007
Only state
2007
<i>The Twist</i>
2007
Only state, unique variant
2007
Untitled, no. 10 of 11, from the series, <i>Extreme Tension</i>
2007
Series
2007
Extreme Tension
2007
<i>Extreme Tension</i>
2007
Related Works in the Catalogue
Swelling
Only state
2007
<i>Swelling</i>
2007
Anthropomorphic View of the World
Unique variant
2008
<i>Anthropomorphic View of the World</i>
2008
Abandoned
Only state, variant
2007
<i>Abandoned</i>
2007
Just Like Me
Only state
2007
<i>Just Like Me</i>
2007
Untitled, no. 1 of 3, from the series, Jalouse
Unique variant
2009
Untitled, no. 1 of 3, from the series,<i> Jalouse</i>
2009
Untitled, no. 1 of 2, from the series, What Hurts
Unique variant
2007
Untitled, no. 1 of 2, from the series,<i> What Hurts</i>
2007
Untitled, no. 1 of 3, from the series, Sainte Nitouche
Unique variant
2009
Untitled, no. 1 of 3, from the series,<i> Sainte Nitouche</i>
2009
The Nest
Only state
2009
<i>The Nest</i>
2009
Related Works in Other Mediums
The Fish (Marinated) Was Delicious
1998
The Fish (Marinated) Was Delicious
1998
Medium: Ink and pencil on paper
Dimensions: sheet: 9 5/8 × 8" (24.4 × 20.3 cm)
© The Easton Foundation/VAGA at ARS, NY
Untitled (recto)
1997
Untitled (recto)
1997
Medium: Ink and pencil on paper
Dimensions: sheet: 11 1/2 × 9" (29.2 × 22.9 cm)
© The Easton Foundation/VAGA at ARS, NY
Untitled (Skeleton)
1997
Untitled (Skeleton)
1997
Medium: Watercolor, gouache, ink, and pencil on paper
Dimensions: sheet: 9 3/8 × 12" (23.8 × 30.5 cm)
© The Easton Foundation/VAGA at ARS, NY
Untitled
1999
Untitled
1999
Medium: Ink and correction fluid on paper
Dimensions: sheet: 14 1/2 × 5 1/4" (36.8 × 13.3 cm)
© The Easton Foundation/VAGA at ARS, NY
Louise Bourgeois,
Extreme Tension,
New York, Osiris, 2007The fragments of text inscribed within this series originated as parts of a longer text written by the artist c. 1959. Those fragments are recorded below by panel. Following the fragments is the original text.
No. 1:
Extreme Tension
No. 2:
My scalp forehead ears
The base of the skull
No. 3:
Back of the neck
The back between the shoulder blades
The base of the ribs
Solar plexus
No. 4:
The stomach
The esophagus
The throat
No. 5:
The intestines
The rectum
No. 6:
The arms forearms hands fingers
No. 7:
The legs thighs ankles toes
The pelvis bones
The joints
No. 8:
The pains and cramps
No. 9:
The breathing
The palpitations
The hot flashes
No. 10:
The perspiration
extreme extreme tension
No. 11:
The smell of the hunted animal
Original Text:
scalp
the forehead
the ears
the base of the skull
the back of the neck
the back between the shoulder blades
the base of the ribs --
the solar plexus --
the stomach the esophagus the throat --
the intestines -- the anus
the pelvis bones the joints
the legs thighs ankle toes
the arms forearms and hands
the breathing the tr [sic]
the palpitations
the hot flashes
the pains -- the cramps --
the sweaty smell of the stalked
animal extreme tension skunk very
little is known as to the when
chow, chow mein one day, localize
mum
Louise Bourgeois, c. 1959. Loose sheet: 10 x 8" (25.4 x 20.3 cm). LB-0768; © The Easton Foundation.