Cat. No. 979
Love and Kisses
- State/Variant:
- Only state
- Date:
- 2007
- Themes
- Abstraction
- Techniques
- Etching
- Support:
- Smooth, thick wove paper
- Dimensions:
- plate (in 2 vertical parts): 59 7/8 × 35 11/16" (152.1 × 90.7 cm); sheet: 59 7/8 x 35 15/16" (152.1 x 91.3 cm)
- Signature:
- "LB" lower right comp., pencil.
- Publisher
- Osiris
- Printer
- Wingate Studio
- Edition:
- 9
- Edition Information:
- There are 2 known cancellation proofs of "Love and Kisses," each with a large "X" drawn across the composition from each corner of the plate.
Outside the edition of "Love and Kisses," there is 1 known unique variant with hand additions made from the same plate, in the same vertical orientation. It is seen in the Evolving Composition Diagram below.
The plate also appears in 2 installation sets titled "À l'Infini." For "À l'Infini," the plate was partially inked and placed in a horizontal position, varying in orientation throughout each set. (For the "Love and Kisses" edition and unique variant, the plate was fully inked and placed in the vertical position.)
To clarify how the artist used this plate, the sheets from "À l'Infini" sets 1 and 2 are organized by their orientation (A or B) in the Evolving Composition Diagram below.
"À l'Infini" (set 1), 14 sheets: 8 in horizontal A; 6 in horizontal B.
"À l'Infini" (set 2), 16 sheets: 9 in horizontal A; 7 in horizontal B. - Impression:
- "3/9" lower left comp., pencil, artist's hand.
- Background:
- Benjamin Shiff, the director of the Osiris imprint, collaborated with Bourgeois in a highly experimental phase of printmaking that occupied the last years of her life, from 2005 to 2010. He first established a working relationship with the artist in the 1990s, but the late period is particularly noteworthy for the innovative and complex large-scale projects that evolved at that time. Shiff made use of professional workshops for printing, but he oversaw the creation of the printing plates as Bourgeois worked on them in her home studio. He also provided assistance as she added extensive hand additions and texts, and as she combined individual compositions into multi-panel works and illustrated books.
Osiris put together a grouping of Bourgeois's late, large-scale soft ground etchings under the title "Turning Inwards." Nine sets were announced. Each "Turning Inwards" set is unique, containing a different number of prints. Sets include editioned prints as well as early proofs. Some also have multiple impressions of the same composition, due to differences in inking and wiping.
The "Turning Inwards" sets are not considered formal series that must be shown in their entirety; the prints in each set can be displayed separately.
Set #1 of 9 contains 67 prints and is in the Collection of the Museum of Modern Art. Set #2 contains 43 prints and is in the collection of the Tate Modern. Set #3 contains 38 prints. Set #4 contains 39 prints. The contents of sets #5-9 were not known by MoMA cataloguers, as of 2018.
The title "Turning Inwards" is given to the overall grouping and is also the title of one of the individual compositions within it. Titles that may appear in the various "Turning Inwards" sets are as follows:
1. À Baudelaire
2. Abandoned
3. Accumulations
4. Are You in Orbit? (#1)
5. Are You in Orbit? (#2)
6. The Awakening
7. The Chain of Events
8. The Fall
9. La Famille
10. Les Fleurs
11. I See You!!!
12. Incognito
13. Just Like Me
14. Knots
15. Leaves
16. Let My Children Come
17. Look Up!
18. Losing It
19. Love and Kisses
20. La Maladie de l'Amour
21. My Inner Life
22. My Secret Life
23. The Nest
24. Opening Up
25. The Pacifiers
26. Paddle Woman
27. Passages
28. Pendule
29. The Prey of an Anxiety
30. Sangsue
31. The Smell of Eucalyptus (#1)
32. The Smell of Eucalyptus (#2)
33. The Stretch
34. Swaying
35. Swelling
36. Turning Inwards
37. The Twist
38. The Unfolding
39. Up and Up
This impression is in MoMA's set #1 of 9. - Curatorial Remarks:
- In the center of this composition, there is a small gap between the two vertical parts of the plate. The gap is filled with hand additions to match the surrounding plate tone and create the illusion of a single plate.
- Description:
- Soft ground etching, with selective wiping and black crayon and black watercolor wash additions
- MoMA Credit Line:
- Gift of the artist
- MoMA Accession Number:
- 102.2012
Only state
2007
Love and Kisses and À l'Infini
2007-2009
Related Works in the Catalogue
Related Works in Other Mediums
Untitled
1996
Untitled
1996
Medium: Ink, crayon, and pencil on paper
Dimensions: sheet: 9 x 12" (22.9 x 30.5 cm)
© The Easton Foundation/VAGA at ARS, NY
Untitled (recto)
1996
Untitled (recto)
1996
Medium: Ink and charcoal on paper
Dimensions: sheet: 11 7/8 x 11 3/4" (30.2 x 29.8 cm)
© The Easton Foundation/VAGA at ARS, NY
Untitled (verso)
1996
Untitled (verso)
1996
Medium: Ink and charcoal on paper
Dimensions: sheet: 11 7/8 x 11 3/4" (30.2 x 29.8 cm)
© The Easton Foundation/VAGA at ARS, NY
Untitled
1996
Untitled
1996
Medium: Ink, charcoal, and pencil on paper
Dimensions: sheet: 11 5/8 x 11 5/8" (29.5 x 29.5 cm)
© The Easton Foundation/VAGA at ARS, NY
Untitled
1950
Untitled
1950
Medium: Ink and charcoal on paper
Dimensions: sheet: 22 x 15" (55.9 x 38.1 cm)
© The Easton Foundation/VAGA at ARS, NY
Spiral or Summer
1960
Spiral or Summer
1960
Medium: Plaster
Dimensions: overall: 14 × 21" (35.5 × 53.3 cm)
© The Easton Foundation/VAGA at ARS, NY
Untitled (Skeleton)
1997
Untitled (Skeleton)
1997
Medium: Watercolor, gouache, ink, and pencil on paper
Dimensions: sheet: 9 3/8 × 12" (23.8 × 30.5 cm)
© The Easton Foundation/VAGA at ARS, NY