Cat. No. 995.2/VI
Plate 7 of 11, from the illustrated book, He Disappeared into Complete Silence, second edition
- State/Variant:
- Version 2 of 2, state VI of IX
- Date:
- 1995-1999
- Alternate Title:
- Two Personages
- Themes
- Architecture
- Techniques
- Drypoint, Engraving, Photogravure
- Support:
- Smooth, wove paper
- Dimensions:
- plate: 7 1/2 × 5 11/16" (19 × 14.5 cm); sheet: 9 15/16 × 6 13/16" (25.3 × 17.3 cm)
- Signature:
- Not signed
- Publisher
- unpublished
- Printer
- Harlan & Weaver for engraving and drypoint, Renaissance Press for photogravure (see Curatorial Remarks)
- Edition:
- 1 known impression of version 2, state VI
- Edition Information:
- Proof before the editioning of version 2, state IX in the second edition.
- Impression:
- Not numbered
- Background:
- Bourgeois issued the first edition of “He Disappeared into Complete Silence” in 1947. (See cat. no. 1228.) At that time, while actively working in printmaking at the Atelier 17 workshop, she decided to create an illustrated book edition with hopes of making her work more widely known. As it turned out, the book was not a success and Bourgeois never completed the announced edition of 54 examples. It frustrated her that she had never finished the project and, much later, in the early 1980s, she began efforts to reissue the book.
Bourgeois could not locate the printing plates for the nine illustrations, so she set about producing new ones. She worked first, in 1984, with printer Deli Sacilotto, of Iris Editions, New York, to create photogravures using 1947 impressions of Plates 1, 3, and the “Alternative Plate.” Then, in 1990, she created engraved versions of Plates 2 and 6 with the assistance of Christian Guérin of Gravure, New York. First, though, in order to determine whether Guérin’s engraving was suitable, she asked him to engrave two similar compositions. (See “Atlantic Avenue: Transparent Houses” [cat. nos. 1054.1, .2, .3].)
In 1993, Bourgeois finally turned the project over to printer Felix Harlan of Harlan & Weaver, New York, with whom she had begun to work on a regular basis. Harlan would ultimately serve as both printer and coordinator of the second edition. He started out by making reprints of some of the 1983 photogravures created with Sacilotto, and the 1990 engravings created with Guérin. In addition, since by then Bourgeois had located three of the original printing plates from the 1940s (two versions of Plate 3 and one version of Plate 4), Harlan made reprints from those, but they were too distressed for use in a future edition. He also attempted to remake Plates 5, 8, and 9 in drypoint and/or etching. Finally, Bourgeois decided to work with photogravure as the starting-off point for all the compositions in the book, in order to keep the plates as close as possible to those of the 1947 edition. In 1995, new photogravure plates were made by Renaissance Press from photographs of the first edition in the New York Public Library (cat. no. 1228, Example 12). Working with Harlan, Bourgeois ultimately re-worked these photogravure plates with engraving, also adding aquatint, drypoint, scorper and watercolor additions in some instances.
The 1947 first edition of “He Disappeared into Complete Silence” includes “vintage” examples issued in 1947 or thereabouts, as well as “assembled” examples that Bourgeois compiled in the 1980s from prints and texts that remained in her possession. Some of the “assembled” examples, including the one in the New York Public Library, have ten plates rather than the standard nine plates. The tenth plate is a composition called “Alternative Plate” for cataloguing purposes. The second edition includes this “Alternative Plate,” as well as an entirely new eleventh plate titled, “Spider.”
Bourgeois worked intermittently on this project for over a decade, with the second edition appearing in 2005 as a benefit publication for the Department of Prints and Illustrated Books, The Museum of Modern Art, New York. In addition to eleven plates, the book includes text pages from 1947 that had remained with Bourgeois, as well as a new table of contents, foreword, and colophon. The housing was constructed to match that of the 1947 first edition. - Curatorial Remarks:
- According to printer Paul Taylor, of Renaissance Press, the print workshop re-located from Hinsdale to Ashuelot, New Hampshire. On the colophon, the place is given as Hinsdale.
The Renaissance Press made photogravures from photographs of all ten plates in the New York Public Library’s example of “He Disappeared into Complete Silence” (cat. no. 1228, Example 12) to serve as the starting-off point for the second edition (see Background). - Description:
- Engraving and drypoint over photogravure
- State Changes and Additions:
- Changes from version 1: composition transferred to new plate in photogravure (see Curatorial Remarks).
Changes from version 2, state V, in engraving: bottom ring around right structure reinforced. - Artist’s Remarks:
- "This is a great change of mood. This is a climax... it is a fight... a fight for survival. They are not alienated here; they are very engaged." This plate is the "only one with a fight... In the others, they are hiding, running away, or alienated. This is a blasting; a total confrontation. But it turns out badly. Every time you break things, you dig your own grave; you always lose ground. If you risk confrontation and blow up, you lose; you never have the last word." In the later states of the print, "there is an attempt to restrain the hostility by hiding in the house." Color was added to a later plate in an attempt "to make it more palatable... less raw... to restrain it." (Quote cited in Wye, Deborah and Carol Smith. “The Prints of Louise Bourgeois.” New York: The Museum of Modern Art, 1994, p. 89.)
- MoMA Credit Line:
- Gift of the artist
- MoMA Accession Number:
- 1367.2012
Version 2 of 2, state VI of IX
1995-1999
Plate 7, from the illustrated book, He Disappeared into Complete Silence
1946-2005
Illustrated Book
1947
Illustrated Book
2005
Related Works in the Catalogue
Related Works in Other Mediums
Spiral Woman
1951-52
Spiral Woman
1951-52
Medium: Wood, paint, and steel
Dimensions: 48 3/4 x 12 x 12" (124 x 30.6 x 30.6 cm)
© The Easton Foundation/VAGA at ARS, NY
Pillar
1949-1950
Pillar
1949-1950
Medium: Painted bronze and stainless steel
Dimensions: overall: 63 1/4 × 12 × 12" (160.7 × 30.5 × 30.5 cm)
© The Easton Foundation/VAGA at ARS, NY
Untitled
1947
Untitled
1947
Medium: Ink on paper
Dimensions: sheet: 11 1/2 x 7 1/4" (29.2 x 18.4 cm)
© The Easton Foundation/VAGA at ARS, NY
I Do, I Undo, I Redo
1999-2000
I Do, I Undo, I Redo
1999-2000
Medium: Three steel and mixed media towers
Dimensions: "I Do" overall: 54' 2" x 19' 7" x 19' 7" (16.5 x 6 x 6 m); "I Undo" overall: 42' 7" x 14' 8" x 11' 5" (13 x 4.5 x 3.5 m); "I Redo" overall: 57' 4" x 29' 5" x 19' 7" (17.5 x 9 x 6 m)
© The Easton Foundation/VAGA at ARS, NY
Untitled
c. 1946
Untitled
c. 1946
Medium: Ink and charcoal on tracing paper
Dimensions: sheet: 9 x 7 1/4" (22.9 x 18.4 cm)
© The Easton Foundation/VAGA at ARS, NY
Untitled
1946
Untitled
1946
Medium: Oil on canvas
Dimensions: canvas: 44 × 22" (111.8 × 55.9 cm)
© The Easton Foundation/VAGA at ARS, NY
Portrait of Jean-Louis
1947-1949
Portrait of Jean-Louis
1947-1949
Medium: Painted bronze, wall piece
Dimensions: overall: 35 × 5 × 4" (88.9 × 12.7 × 10.2 cm)
© The Easton Foundation/VAGA at ARS, NY
Untitled
1945-1947
Untitled
1945-1947
Medium: Oil and charcoal on canvas
Dimensions: canvas: 36 × 13 3/4" (91.4 × 34.9 cm)
© The Easton Foundation/VAGA at ARS, NY
Untitled
1947
Untitled
1947
Medium: Ink and watercolor on paper
Dimensions: sheet: 13 × 10" (33 × 25.4 cm)
© The Easton Foundation/VAGA at ARS, NY
He Disappeared into Complete Silence
1947
He Disappeared into Complete Silence
1947
Medium: Pencil on paper
Dimensions: sheet: 8 1/2 × 5 1/2" (21.6 × 14 cm)
© The Easton Foundation/VAGA at ARS, NY
He Disappeared Dessin Preparatory
1947
He Disappeared Dessin Preparatory
1947
Medium: Pencil on paper
Dimensions: sheet: 8 1/2 × 3 1/2" (21.6 × 8.9 cm)
© The Easton Foundation/VAGA at ARS, NY
Gemor Press
1947
Gemor Press
1947
Medium: Pencil on paper
Dimensions: sheet: 6 × 3 1/8" (15.2 × 7.9 cm)
© The Easton Foundation/VAGA at ARS, NY