Accumulations

Cat. No. 834/II

Accumulations

State/Variant:
State II of III
Date:
2006
Themes
Abstraction, Nature
Techniques
Etching
Support:
Smooth, wove paper
Dimensions:
plate: 55 3/4 × 12 3/8" (141.6 × 31.5 cm) (dimensions reflect full plate size; this is a partial print); sheet: 55 1/4 x 12 5/16" (140.3 x 31.3 cm)
Signature:
"LB" lower right comp., pencil.
Publisher
Osiris
Printer
Wingate Studio
Edition:
7
Edition Information:
The edition is made up of impressions of state II and III.
State II: 1/7, 3/7, 7/7
State III: 2/7, 6/7
Nos. 4/7 and 5/7 could not be examined in person and their states are not known.

Selective wiping varies from impression to impression; see examples in the Evolving Composition Diagram below. The sheet sizes also vary. There is 1 known variant impression of state II and 1 known impression of state III, both outside the edition. There are 2 known cancellation proofs of state III, each with a large "X" drawn across the composition from each corner of the plate.

Outside the edition, there are 7 unique variants of state II, printed alone or in combination with other plates in multi-panel works. When the plate is printed alone, the work is included in the Evolving Composition Diagram. When it is printed with another plate, it is included in Related Works in the Catalogue.

See Evolving Composition Diagram:
"Accumulations"
"Accumulations"
Untitled, plates 2 and 3 of 9, from the illustrated book, "Differentiate"
Untitled, plate 2 of 5, from the illustrated book, "Duration and Intensité"
Untitled, no. 1 of 3, from the series, "Evening of My Life"
Untitled, no. 1 of 3, from the series, "This Need"

See Related Works in the Catalogue:
Untitled, no. 2 of 4, from the series, "Inner Truths or Outer Truths"
Impression:
"1/7" lower left comp., pencil, artist's hand.
Background:
Benjamin Shiff, the director of the Osiris imprint, collaborated with Bourgeois in a highly experimental phase of printmaking that occupied the last years of her life, from 2005 to 2010. He first established a working relationship with the artist in the 1990s, but the late period is particularly noteworthy for the innovative and complex large-scale projects that evolved at that time. Shiff made use of professional workshops for printing, but he oversaw the creation of the printing plates as Bourgeois worked on them in her home studio. He also provided assistance as she added extensive hand additions and texts, and as she combined individual compositions into multi-panel works and illustrated books.

Osiris put together a grouping of Bourgeois's late, large-scale soft ground etchings under the title "Turning Inwards." Nine sets were announced. Each "Turning Inwards" set is unique, containing a different number of prints. Sets include editioned prints as well as early proofs. Some also have multiple impressions of the same composition, due to differences in inking and wiping.

The "Turning Inwards" sets are not considered formal series that must be shown in their entirety; the prints in each set can be displayed separately.

Set #1 of 9 contains 67 prints and is in the Collection of the Museum of Modern Art. Set #2 contains 43 prints and is in the collection of the Tate Modern. Set #3 contains 38 prints. Set #4 contains 39 prints. The contents of sets #5-9 were not known by MoMA cataloguers, as of 2018.

The title "Turning Inwards" is given to the overall grouping and is also the title of one of the individual compositions within it. Titles that may appear in the various "Turning Inwards" sets are as follows:

1. À Baudelaire
2. Abandoned
3. Accumulations
4. Are You in Orbit? (#1)
5. Are You in Orbit? (#2)
6. The Awakening
7. The Chain of Events
8. The Fall
9. La Famille
10. Les Fleurs
11. I See You!!!
12. Incognito
13. Just Like Me
14. Knots
15. Leaves
16. Let My Children Come
17. Look Up!
18. Losing It
19. Love and Kisses
20. La Maladie de l'Amour
21. My Inner Life
22. My Secret Life
23. The Nest
24. Opening Up
25. The Pacifiers
26. Paddle Woman
27. Passages
28. Pendule
29. The Prey of an Anxiety
30. Sangsue
31. The Smell of Eucalyptus (#1)
32. The Smell of Eucalyptus (#2)
33. The Stretch
34. Swaying
35. Swelling
36. Turning Inwards
37. The Twist
38. The Unfolding
39. Up and Up

This impression is in MoMA's set #1 of 9.
Curatorial Remarks:
For this impression, the sheet is slightly smaller than the plate. Plate dimensions cited are from state I.

There is proofing for the composition "My Inner Life" on the verso of this impression.
Description:
Soft ground etching, with selective wiping
State Changes and Additions:
Changes from state I, in soft ground etching: distress marks added throughout; top of form slightly altered.
MoMA Credit Line:
Gift of the artist
MoMA Accession Number:
236.2011
This Work in Other Collections:
Tate Modern, London
© The Easton Foundation/VAGA at ARS, NY

Accumulations

2006-2007

Source

2006

Untitled
States
Accumulations
Accumulations
Accumulations
Accumulations
Accumulations
Unique Variants
Accumulations
Accumulations
Untitled, plates 2 and 3 of 9, from the illustrated book, Differentiate
Untitled, plate 2 of 5, from the illustrated book, Duration and Intensité
Untitled, no. 1 of 3, from the series, Evening of My Life
Untitled, no. 1 of 3, from the series, This Need

Illustrated Book

2007

Differentiate

Illustrated Book

2007

Duration and Intensité

Series

2007

Evening of My Life

Series

2007

This Need

Related Works in the Catalogue

My Inner Life
Untitled, plate 15 of 15, from the series, Nature Study
Untitled, no. 2 of 4, from the series, Inner Truths or Outer Truths
Pendule
La Famille

Related Works in Other Mediums

Untitled
Femme Volage
Untitled
Eye to Eye
Untitled
Untitled