Cat. No. 839, variant
Swaying
- State/Variant:
- Only state, variant
- Date:
- 2006
- Themes
- Abstraction, Nature
- Techniques
- Etching
- Support:
- Smooth, wove paper
- Dimensions:
- plate: 55 1/8 x 7 7/8" (140 x 20 cm); sheet: 60 1/4 x 12 1/8" (153 x 30.8 cm)
- Signature:
- "Louise Bourgeois" lower center margin, pencil.
- Publisher
- unpublished
- Printer
- Wingate Studio
- Edition:
- 1 known variant impression, outside the edition and the unique variants
- Edition Information:
- Proof before the editioning of the only state.
Within the edition, selective wiping varies slightly from impression to impression.
Outside the edition, there are 20 unique variants that incorporate this plate, printed alone or in combination with other plates in multi-panel works. They all include extensive hand additions and sometimes partial inking of the plate. When the plate is used alone (sometimes printed twice on the same sheet), the work is included in the Evolving Composition Diagram. When it is printed with another plate, it is included in Related Works in the Catalogue.
See Evolving Composition Diagram:
“Couple”
“Swaying”
“Swaying”
“Swaying”
“Swaying”
"Swaying"
"Swaying"
“Tous Les Deux (Swaying)”
Untitled, plate 1 of 5, from the illustrated book, “Duration and Intensité”
Untitled, no. 2 of 3, from the series, "Evening of My Life"
"Where My Motivation Comes From"
See Related Works in the Catalogue:
“Eccentric Growth I”
“Eccentric Growth II”
“Eccentric Growth III”
“Eccentric Growth IV”
“Eccentric Growth V”
“Eccentric Growth VI”
("Eccentric Growth VII" was destroyed by the artist)
“Eccentric Growth VIII”
“Eccentric Growth IX”
Untitled, no. 4 of 4, from the series, "Inner Truths or Outer Truths" - Impression:
- Not numbered
- Background:
- Benjamin Shiff, the director of the Osiris imprint, collaborated with Bourgeois in a highly experimental phase of printmaking that occupied the last years of her life, from 2005 to 2010. He first established a working relationship with the artist in the 1990s, but the late period is particularly noteworthy for the innovative and complex large-scale projects that evolved at that time. Shiff made use of professional workshops for printing, but he oversaw the creation of the printing plates as Bourgeois worked on them in her home studio. He also provided assistance as she added extensive hand additions and texts, and as she combined individual compositions into multi-panel works and illustrated books.
Osiris put together a grouping of Bourgeois's late, large-scale soft ground etchings under the title "Turning Inwards." Nine sets were announced. Each "Turning Inwards" set is unique, containing a different number of prints. Sets include editioned prints as well as early proofs. Some also have multiple impressions of the same composition, due to differences in inking and wiping.
The "Turning Inwards" sets are not considered formal series that must be shown in their entirety; the prints in each set can be displayed separately.
Set #1 of 9 contains 67 prints and is in the Collection of the Museum of Modern Art. Set #2 contains 43 prints and is in the collection of the Tate Modern. Set #3 contains 38 prints. Set #4 contains 39 prints. The contents of sets #5-9 were not known by MoMA cataloguers, as of 2018.
The title "Turning Inwards" is given to the overall grouping and is also the title of one of the individual compositions within it. Titles that may appear in the various "Turning Inwards" sets are as follows:
1. À Baudelaire
2. Abandoned
3. Accumulations
4. Are You in Orbit? (#1)
5. Are You in Orbit? (#2)
6. The Awakening
7. The Chain of Events
8. The Fall
9. La Famille
10. Les Fleurs
11. I See You!!!
12. Incognito
13. Just Like Me
14. Knots
15. Leaves
16. Let My Children Come
17. Look Up!
18. Losing It
19. Love and Kisses
20. La Maladie de l'Amour
21. My Inner Life
22. My Secret Life
23. The Nest
24. Opening Up
25. The Pacifiers
26. Paddle Woman
27. Passages
28. Pendule
29. The Prey of an Anxiety
30. Sangsue
31. The Smell of Eucalyptus (#1)
32. The Smell of Eucalyptus (#2)
33. The Stretch
34. Swaying
35. Swelling
36. Turning Inwards
37. The Twist
38. The Unfolding
39. Up and Up
This impression is in MoMA's set #1 of 9. - Description:
- Soft ground etching, with pencil additions
- Inscription:
- "first proof" lower center comp., pencil, artist's hand.
- MoMA Credit Line:
- Gift of the artist
- MoMA Accession Number:
- 249.2011
- This Work in Other Collections:
- Tate Modern, London
Only state, variant
2006
Swaying
2006-2007
Related Works in the Catalogue
Untitled (Branch with Tall Leaf Cluster), in Les Arbres (3), from the editioned series of portfolios, Les Arbres (1-6)
Only state
2004
Untitled (Branch with Tall Leaf Cluster), in <i>Les Arbres</i> (3), from the editioned series of portfolios, <i>Les Arbres</i> (1-6)
2004
Related Works in Other Mediums
Untitled
1951
Untitled
1951
Medium: Ink and charcoal on paper
Dimensions: sheet: 12 1/4 x 6" (31.1 x 15.2 cm)
© The Easton Foundation/VAGA at ARS, NY
Abstract Figure
c. 1965
Abstract Figure
c. 1965
Medium: Ink on paper
Dimensions: sheet: 15 1/2 x 9 5/8" (39.4 x 24.4 cm)
© The Easton Foundation/VAGA at ARS, NY
Untitled
1947
Untitled
1947
Medium: Ink and charcoal on paper
Dimensions: sheet: 11 1/2 x 7 1/8" (29.2 x 18.1 cm)
© The Easton Foundation/VAGA at ARS, NY
Eccentric Growth
1960
Eccentric Growth
1960
Medium: Red ink on paper
Dimensions: sheet: 9 1/2 × 13" (24.1 × 33 cm)
© The Easton Foundation/VAGA at ARS, NY
Concentric Growth
c. 1965
Concentric Growth
c. 1965
Medium: Ink on blue paper
Dimensions: sheet: 13 × 9 1/4" (33 × 23.5 cm)
© The Easton Foundation/VAGA at ARS, NY
The Fingers
1968
The Fingers
1968
Medium: Plaster
Dimensions: overall: 3 × 12 1/2 × 8" (7.6 × 31.8 × 20.3 cm)
© The Easton Foundation/VAGA at ARS, NY
Untitled
1990
Untitled
1990
Medium: Black marble
Dimensions: overall: 12 × 45 1/2 × 13" (30.5 × 115.6 × 33 cm)
© The Easton Foundation/VAGA at ARS, NY