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Cat. No. 564.1/III, variant 1

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State/Variant:
Version 1 of 2, state III of IV, variant
Date:
2001

Themes
Abstraction
Techniques
Drypoint
Support:
Smooth, wove paper
Dimensions:
plate: 11 1/8 × 9 1/4" (28.2 × 23.5 cm); sheet: 13 3/8 x 11 1/8" (34 x 28.3 cm)
Signature:
"LB" lower right margin, red ink.
Publisher
unpublished
Printer
Harlan & Weaver
Edition:
2 known variant impressions of version 1, state III
Edition Information:
Not issued as a published edition at any state.

Matrices:
The progression of version 1 of this composition, as seen in the Evolving Composition Diagram below, involved 2 plates.

Plate 1: grid.

Plate 2: circles.
Impression:
Not numbered
Curatorial Remarks:
Despite the inscription in the artist's hand, monotype is not used on this print.
Descriptive Title:
Rectangle with Circles
Description:
Drypoint, with red and black ink, and white correction fluid additions
Inscription:
Verso: "monotype" lower right margin, red ink, artist's hand.
State Changes and Additions:
Plate 1 printed in black. Plate 2 printed in red.

Changes from version 1, state II, in drypoint: both plates printed.
MoMA Credit Line:
Gift of the artist
MoMA Accession Number:
1529.2008
© The Easton Foundation/VAGA at ARS, NY

Untitled

2001-2003

Source

2001

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First Version
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Second Version
Untitled
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Related Works in the Catalogue

Les Étoiles
I Pick on Everyone, Dead or Alive, no. 4 of 9, from the series, What Is the Shape of This Problem?
To Unravel a Torment You Must Begin Somewhere, no. 8 of 9, from the series, What Is the Shape of This Problem?
Untitled, no. 9 of 19, from the portfolio, Fugue
Untitled, no. 11 of 34, from the illustrated book, Ode à l'Oubli

Related Works in Other Mediums

Untitled
The Commitment
Untitled
Untitled, no. 6 of 8, from an untitled series
Untitled, no. 184 of 220, from the series, The Insomnia Drawings