Cat. No. 600, study
Untitled (Study for Barges)
- State/Variant:
- Study
- Date:
- 2000
- Alternate Title:
- Mother and 3 Children
- Support:
- Mylar mounted on matt board
- Dimensions:
- composition: 11 1/2 x 8 1/2" (29.2 x 21.6 cm); mount: 16 x 12" (40.6 x 30.5 cm)
- Signature:
- "LB" lower right composition, red ink.
- Publisher
- unpublished
- Edition:
- 1 known study
- Background:
- In 1989, to help Bourgeois prepare for what would be a major project together, "the puritan," Ben Shiff of Osiris, New York, provided her with test plates on which she made various technical experiments.
- Curatorial Remarks:
- This study is a tracing of the 1950 Untitled source drawing seen below in the Evolving Composition Diagram. It relates to Version 2 of this composition.
- Former Cat. No.:
- (W & S B8)
- Description:
- Pencil, white correction fluid, red colored pencil, and red ink
- Artist’s Remarks:
- When discussing the Untitled 1950 source drawing: "This is so personal that I don't think it is interesting to know what lies behind it. There are four boats. They are all attached to each other, and in the upper left they are attached to something that is not visible. You see, I don't think it is interesting to know what it is. It has to do with the black. The blackness shows it is a moral issue, and the moral issue is what? It has to do with responsibility--responsibility and guilt. So it means that my responsibility, in this case, is to keep these four boats afloat: four different people, namely, the big one is the husband and the three small ones are the children."
When discussing the Untitled 1946 ink drawing, seen below in Related Works in Other Mediums: "... I am the little one underneath, and the three others are the three members of the family. The problem is to navigate, to play together--they obviously play together; they have a good time-- so this is the opposite of the drawing of the black boats. This is a happy family [...] The common denominator here is that the little figure at the bottom--which is a self-portrait--has managed to make the three kids happy. In the drawing of the black boarts it is the same subject except that--because of the guilt involved--I have not managed to make them happy. So it is guilt that I had toward my children about not being a good mother. Simple as that." (Quotes cited in Bourgeois, Louise and Lawrence Rinder. "Louise Bourgeois Drawings and Observations." Berkeley: University Art Museum and Pacific Film Archive University of California, Berkeley; Boston: Bulfinch Press, 1995, p. 115.) - MoMA Credit Line:
- Gift of the artist
- MoMA Accession Number:
- 513.2010
© The Easton Foundation/VAGA at ARS, NY
Open to compare works
Select a work in the diagram below
Study
2000
A
B
Barges
1989; 2000-2001
Source
1950
Not in MoMA's Collection
Untitled
1950
Not in MoMA's Collection
Untitled
1950
Medium: Ink on paper
Dimensions: sheet: 13 1/2 x 10 1/2" (34.3 x 26.7 cm)
© The Easton Foundation/VAGA at ARS, NY
Studies
First Version
Second Version
Related Works in the Catalogue
Related Works in Other Mediums
Not in MoMA's Collection
Le Père et les 3 Fils
2001
Not in MoMA's Collection
Le Père et les 3 Fils
2001
Medium: Ink and pencil on paper
Dimensions: sheet: 9 x 11 1/2" (22.9 x 29.2 cm)
© The Easton Foundation/VAGA at ARS, NY
Not in MoMA's Collection
Untitled
1946
Not in MoMA's Collection
Untitled
1946
Medium: Ink on paper
Dimensions: sheet: 13 1/4 x 6 5/8" (33.7 x 16.8 cm)
© The Easton Foundation/VAGA at ARS, NY
Not in MoMA's Collection
Untitled
1946
Not in MoMA's Collection
Untitled
1946
Medium: Ink on paper
Dimensions: sheet: 8 1/2 x 3 1/2" (21.6 x 8.9 cm)
© The Easton Foundation/VAGA at ARS, NY
Not in MoMA's Collection
Untitled
1946-1947
Not in MoMA's Collection
Untitled
1946-1947
Medium: Oil on wood
Dimensions: sheet: 11 1/2 x 32" (29.2 x 81.3 cm)
© The Easton Foundation/VAGA at ARS, NY