Do Not Abandon Me

Cat. No. 58/V, variant 1

Do Not Abandon Me

State/Variant:
State V of VII, variant
Date:
1999

Themes
Figures, Motherhood & Family, Objects
Techniques
Drypoint
Support:
Smooth, wove paper
Dimensions:
plate: 11 7/8 x 9 13/16" (30 x 25 cm); sheet: 15 7/16 x 11" (39.2 x 28 cm)
Signature:
Not signed
Publisher
unpublished
Printer
Harlan & Weaver
Edition:
2 known variant impressions of state V
Edition Information:
Proof before the editioning of state VII.
Impression:
Not numbered
Background:
The imagery of this print relates to Bourgeois’s monumental sculptural installation for the inaugural exhibition in Tate Modern’s Turbine Hall in 2000. The installation consisted of “Maman,” a 30’ steel sculpture of a spider, and “I Do, I Undo, I Redo,” three steel towers ranging in height from 42' to 57'. Each tower contained a different sculpture of a mother and child inside a bell jar. The “Do Not Abandon Me” drypoint relates to the sculpture contained in the tower titled, “I Redo,” seen below in Related Works in Other Mediums.
Description:
Drypoint, with selective wiping, and red ink additions
State Changes and Additions:
Changes from state IV in drypoint: woman's hair and necklace added; woman's breasts reshaped.
MoMA Credit Line:
Gift of the artist
MoMA Accession Number:
813.2008
© The Easton Foundation/VAGA at ARS, NY

Do Not Abandon Me

1999-2000

Source

1998

Untitled (Chair)
States
Do Not Abandon Me
Do Not Abandon Me
Do Not Abandon Me
Do Not Abandon Me
Do Not Abandon Me
Do Not Abandon Me
Do Not Abandon Me
Do Not Abandon Me
Do Not Abandon Me
Do Not Abandon Me
Do Not Abandon Me
Do Not Abandon Me
Do Not Abandon Me
Do Not Abandon Me

Related Works in the Catalogue

Baby and Butterfly
Do Not Abandon Me
The Trauma of Abandonment
Hair
Untitled, no. 1 of 24, from the illustrated book, Hours of the Day
Umbilical Cord

Related Works in Other Mediums

I Redo (interior component), from the 3-part installation, I Do, I Undo, I Redo
Do Not Abandon Me
Do Not Abandon Me
Do Not Abandon Me (detail)
The Umbilical Cord
The Dangerous Obsession