Cat. No. 492/II
Untitled, plate 3 of 5, from the illustrated book, and plate 3 of 7, from the portfolio, Metamorfosis
- State/Variant:
- State II of II
- Date:
- 1997
- Themes
- Body Parts, Faces & Portaits, Music
- Techniques
- Drypoint, Engraving, Etching
- Support:
- Smooth, wove paper, with music paper chine collé
- Dimensions:
- plate: 11 9/16 x 11 5/8" (29.4 x 29.5 cm); sheet: 16 9/16 x 14 15/16" (42 x 38 cm)
- Signature:
- "Louise Bourgeois" lower right margin, pencil.
- Publisher
- unpublished
- Printer
- Harlan & Weaver
- Edition:
- 5 known impressions of state II, outside the editions
- Edition Information:
- Proof before the editioning of state II.
There are 5 known impressions of state II, outside the editions. Two known impressions do not have chine collé; one is illustrated in the Evolving Composition Diagram below. An additional impression with chine collé is in MoMA's Collection (Accession Number: 707.2008). It is not illustrated, due to its similarity to the impressions seen here. - Impression:
- Not numbered
- Background:
- “Metamorfosis” is a collaboration initiated by Maria Fluxà, a Spanish gallery owner and collector. Fluxà first encountered Bourgeois’s work at the 1982 MoMA retrospective and felt a particular emotional connection to the “Femme Maison.” She then began enthusiastically collecting Bourgeois’s work, which she displayed in her gallery, Lluc Fluxà, in Palma de Mallorca (Spain). Taking inspiration from Bourgeois's themes of memory, identity, and trauma, Fluxà also staged a performance at her gallery titled “Götterdämmerung” that dealt with her own upbringing.
In 1993, Fluxà met Bourgeois at the MoMA opening of a Joan Miró exhibition, introducing herself as an admirer and collector. She later visited the artist, which led to discussions about a possible collaboration between the two.
Bourgeois had a sympathetic response to Fluxà’s difficult relationship with her father, a problem she shared. After meeting over the next several years, she agreed to participate in a collaborative work that became the illustrated book entitled, "Metamorfosis." Here, Fluxà creates a fusion of words and imagery that conflates her own identity with that of the artist. Bourgeois allowed images of her work to contribute to this fusion, and also created five prints especially for the volume. The book was published by Galerie Lelong, Paris, in 1999. For a deluxe edition, the volume was accompanied by a portfolio with two additional prints, making a total of seven compositions created by Bourgeois in conjunction with this project.
In 2005, Fluxà and Dolors Caballero organized the exhibition and catalogue, "Louise Bourgeois: Repairs in the sky" at the Pilar and Joan Miró Foundation, in Mallorca. In 2008, Fluxà and Caballero also organized "La Sage Femme: Louise Bourgeois," an exhibition and catalogue of Fluxà's collection of Bourgeois works, at Sala Espacio AV, in Murcia (Spain). - Curatorial Remarks:
- Bourgeois worked with the printer Harlan & Weaver, New York, to develop the compositions in "Metamorfosis." The plates were then turned over to the printer Atelier Tanguy Garric, Paris, for editioning and publication by Galerie Lelong, Paris.
- Descriptive Title:
- Feet and Face
- Description:
- Etching, engraving, and drypoint, with chine collé
- State Changes and Additions:
- Changes from state I, in drypoint: face further articulated.
Changes from state I, in engraving: hatch marks added throughout; lines reinforced throughout. - MoMA Credit Line:
- Gift of the artist
- MoMA Accession Number:
- 708.2008
- This Work in Other Collections:
- Tate Modern, London
State II of II
1997
Untitled, plate 3, from the illustrated book and the portfolio, Metamorfosis
1996-1999
Source
1996
Untitled
1996
Untitled
1996
Medium: Ink and pencil on paper
Dimensions: sheet: 12 x 8 5/8" (30.5 x 21.9 cm)
© The Easton Foundation/VAGA at ARS, NY
Related Works in the Catalogue
Related Works in Other Mediums
J'y suis, J'y reste
1990
J'y suis, J'y reste
1990
Medium: Pink marble, glass and metal
Dimensions: overall: 40 1/2 x 35 x 31" (102.9 x 88.9 x 78.7 cm)
© The Easton Foundation/VAGA at ARS, NY
Untitled
1991
Untitled
1991
Medium: Ink and charcoal on burnt paper
Dimensions: sheet: 8 1/2 x 11" (21.6 x 27.9 cm)
© The Easton Foundation/VAGA at ARS, NY
Le Pied et le Poing
1996
Le Pied et le Poing
1996
Medium: Crayon, ink, and pencil on paper
Dimensions: sheet: 16 1/2 x 11 5/8" (41.9 x 29.5 cm)
© The Easton Foundation/VAGA at ARS, NY
Untitled
2006
Untitled
2006
Medium: Watercolor and pencil on music paper
Dimensions: sheet: 18 1/4 × 24 1/4" (46.4 × 61.6 cm)
© The Easton Foundation/VAGA at ARS, NY
Untitled
2002
Untitled
2002
Medium: Ink and crayon on paper
Dimensions: sheet: 11 5/8 × 8 1/4" (29.5 × 21 cm)
© The Easton Foundation/VAGA at ARS, NY