Tornado

Cat. No. 671.1/IV

Tornado

State/Variant:
Version 1 of 2, state IV of V
Date:
1991-1992
Themes
Abstraction, Nature, Spirals
Techniques
Drypoint
Support:
Smooth, wove paper
Dimensions:
plate: 17 3/4 × 13 3/8" (45.1 × 34 cm); sheet: 29 5/8 × 21" (75.3 × 53.3 cm)
Signature:
"L.B. 2991" lower right comp., in plate; "Louise Bourgeois 91." lower right margin, pencil.
Publisher
unpublished
Printer
Harlan & Weaver
Edition:
1 known impression of version 1, state IV
Edition Information:
Not issued as a published edition at any state.

The inscription, "epreuve d'artiste," in the artist's hand, does not indicate a conventional A.P. impression, which would be of the final state of an editioned composition.
Impression:
Not numbered
Background:
Bourgeois created this composition through the use of photocopy studies and a hammering technique. She transferred her source drawing to a copper plate by photocopying it and then hammering a nail through the photocopy (study 1) and into the plate. That made heavily indented round marks in the plate. There are no images of that plate or any known impressions from it.

Bourgeois then made a larger photocopy study (study 2) from the first photocopy study. She placed the enlarged photocopy on top of another thin copper plate, and, using the photocopy’s image as a guide, she hammered through the photocopy with a nail and a screwdriver to make round and dash-like indentations in the plate. The indentations show as raised markings on the back of the plate. Both sides of the plate are pictured in the Evolving Composition Diagram below.

Bourgeois printed impressions from both sides of the plate. The version 1 impressions were pulled from the front of the plate and the version 2 impression was pulled from the back of the plate.

The artist employed a similar technique in the 1992 print compositions “Merci. Mercy.” and “We Love You” seen in Related Works in the Catalogue below.
Curatorial Remarks:
An amendment has been made here to the cataloguing found in Wye and Smith, "The Prints of Louise Bourgeois," 1994, p. 212, which lists this impression as version 1 of 2, state V of V.

In addition to the photocopies of the source drawing used to develop the print composition, Bourgeois used two photocopies as the basis for new untitled drawings. Both can be seen in Related Works in Other Mediums below.
Former Cat. No.:
W & S 124.1
Description:
Drypoint
Inscription:
"epreuve d'artiste" lower left margin, pencil, artist's hand.
State Changes and Additions:
Changes from state III, in drypoint: some round elements enlarged; "L.B. 2991" added in plate at lower right.
MoMA Credit Line:
Gift of the artist
MoMA Accession Number:
630.1993
© The Easton Foundation/VAGA at ARS, NY

Tornado

1991-1992

Source

1991

Untitled
Studies
Untitled (Study for Tornado)
Untitled (Study for Tornado)
Matrix
Untitled (Copper plate for Tornado)
Untitled (Copper plate for Tornado)
First Version
Tornado
Tornado
Tornado
Tornado
Tornado
Tornado
Tornado
Second Version
Tornado

Related Works in the Catalogue

merci. mercy.
Repairs in the Sky, no. 3 of 9, from the series, What Is the Shape of This Problem?
Untitled, no. 3 of 34, from the illustrated book, Ode à l'Oubli
Tempête du Vent
We Love You

Related Works in Other Mediums

Polar Stars
Spiraling Arrows
Untitled
Untitled
Tears
Untitled
Untitled
Untitled
Untitled
Untitled