Untitled, plate 6 of 9, from the portfolio, The View from the Bottom of the Well

Cat. No. 573/II, variant 1

Untitled, plate 6 of 9, from the portfolio, The View from the Bottom of the Well

State/Variant:
State II of VIII, variant
Date:
1995
Themes
Faces & Portaits
Techniques
Drypoint
Support:
Smooth, wove paper
Dimensions:
plate: 8 9/16 x 6 3/16" (21.7 x 15.7 cm); sheet: 13 3/8 x 10 3/16" (34 x 25.9 cm)
Signature:
Not signed
Publisher
unpublished
Printer
Harlan & Weaver
Edition:
2 known variant impressions of state II
Edition Information:
Proof before the editioning of state VIII.
Impression:
Not numbered
Curatorial Remarks:
In 1941, Bourgeois and her family purchased a small country house in Easton, Connecticut, which remains in the family.
Description:
Drypoint
State Changes and Additions:
Changes from state I, by burnishing: some lines partially removed.
Changes from state I, in drypoint: lines on right side of face reconfigured.
Artist’s Remarks:
About the source drawing for plate 2 of 9, Bourgeois said: "We lived in Easton, where there was no city water and we were totally dependent on the well. The water table was low in Easton, so the well was quite deep.
The guilt feeling and the severity that inhabited the house were expressed by, 'You better be good or I'll push you down the well.' You see, that was the ultimate punishment. Certainly, I didn't push anybody into the well, but look at these here, one and two...my sons Jean-Louis and Alain. I did something wrong and sure enough, they pushed me in. I'm not accusing them....
The figure is screaming at the bottom of the well.
We have tunnel vision and we have bottom-of-the-well vision. If you visualize yourself down there, the question is, how are you going to get out? This philosophy is an optimistic philosophy. By hook or by crook, you are going to get yourself out. And I always did. But how? By drawing." (Quote cited in Bourgeois, Louise and Lawrence Rinder. "Louise Bourgeois Drawings and Observations." Berkeley: University Art Museum and Pacific Film Archive University of California, Berkeley; Boston: Bulfinch Press, 1995, p. 76.)

"When you are at the bottom of the well, you look around and you say, who is going to get me out? In this case, Jerry [Gorovoy, the artist's assistant,] comes and he presents a rope, and I hook myself on the rope and he pulls me out. You see I can conceive of a way of getting out of the well. I'm not drowning. I'm just waiting for somebody." Interview with Lawrence Rinder, 9 May 1995 (Quote cited in Morris, Frances. "Louise Bourgeois" London: Tate Modern, 2007, p. 150.)
MoMA Credit Line:
Gift of the artist
MoMA Accession Number:
557.1996
This Work in Other Collections:
Graphische Sammlung ETH Zürich, Switzerland
National Gallery of Canada, Ontario, Canada
National Gallery of Victoria, Melbourne
New York Public Library, NY
© The Easton Foundation/VAGA at ARS, NY

Untitled, plate 6 of 9, from the portfolio, The View from the Bottom of the Well

1995-1996

Source

sketchbook date: 1950s-1980s

Untitled, no. 29 of 34, from the sketchbook, Album à Dessin
States
Untitled, plate 6 of 9, from the portfolio, The View from the Bottom of the Well
Untitled, plate 6 of 9, from the portfolio, The View from the Bottom of the Well
Untitled, plate 6 of 9, from the portfolio, The View from the Bottom of the Well
Untitled, plate 6 of 9, from the portfolio, The View from the Bottom of the Well
Untitled, plate 6 of 9, from the portfolio, The View from the Bottom of the Well
Untitled, plate 6 of 9, from the portfolio, The View from the Bottom of the Well
Untitled, plate 6 of 9, from the portfolio, The View from the Bottom of the Well
Untitled, plate 6 of 9, from the portfolio, The View from the Bottom of the Well
Untitled, plate 6 of 9, from the portfolio, The View from the Bottom of the Well
Untitled, plate 6 of 9, from the portfolio, The View from the Bottom of the Well

Portfolio

1996

The View from the Bottom of the Well

Related Works in Other Mediums

Untitled, no. 31 of 34, from the sketchbook, Album à Dessin