Cat. No. 1048.2, variant
Untitled, plate 8 of 12, from the portfolio, Anatomy
- State/Variant:
- Version 2 of 2, only state, variant
- Date:
- 1989
- Alternate Title:
- Sexy Demeanor; The Sexy One; Slow Gait; The Gait
- Themes
- Body Parts
- Techniques
- Drypoint
- Support:
- Smooth, wove paper
- Dimensions:
- plate: 16 15/16 x 9 15/16" (43 x 25.2 cm); sheet: 25 9/16 × 18" (65 × 45.7 cm)
- Signature:
- Not signed
- Publisher
- unpublished
- Printer
- Harlan & Weaver
- Edition:
- 3 known impressions of version 2, only state, outside the edition
- Edition Information:
- Proof before the editioning of version 2, only state.
- Impression:
- Not numbered
- Former Cat. No.:
- W & S 104.2
- Description:
- Drypoint, with black ink additions
- State Changes and Additions:
- Changes from version 1: composition rendered on new plate at increased scale in drypoint.
- Artist’s Remarks:
- "This is not a self-portrait... this is Jerry [Gorovoy, the artist's assistant]. This is 'toi,' all the others are 'moi.' You see the structure is a man's body because the hips are narrow. When I sit on the stoop I look for Jerry coming down the street. Finally I spot him by his special size and gait."
"Someone can be recognized by the way he moves... it is very personal... the assurance or the fear in his movements reveals the state he is in. It can be constricted or it can be free. My own desire for the unconstricted is proven by my interest in reptiles... snakes, maggots, worms, caterpillars. They are all completely free because there is no bone... they undulate." Indicating the area of the hips Bourgeois said, "We undulate the best we can in this part of the body... even with the bones!" (Quotes cited in Wye, Deborah and Carol Smith. "The Prints of Louise Bourgeois." New York: The Museum of Modern Art, 1994, p. 171) - MoMA Credit Line:
- Gift of the artist
- MoMA Accession Number:
- 552.1993
- This Work in Other Collections:
- The Museum of Fine Arts, Houston (2 impressions of version 2, only state, outside the edition)
© The Easton Foundation/VAGA at ARS, NY
Open to compare works
Select a work in the diagram below
Version 2 of 2, only state, variant
1989
A
B
Untitled, no. 8 of 12, from the portfolio, Anatomy
1989-1990
Source
1985
Not in MoMA's Collection
Untitled
1985
Not in MoMA's Collection
Untitled
1985
Medium: Ink on paper
Dimensions: sheet: 11 × 8 1/2" (27.9 × 21.6 cm)
© The Easton Foundation/VAGA at ARS, NY
Source
1987
Not in MoMA's Collection
Untitled (Anatomy)
1987
Not in MoMA's Collection
Untitled (Anatomy)
1987
Medium: Ink on graph paper
Dimensions: sheet: 10 1/2 × 7 1/4" (26.7 × 18.4 cm)
© The Easton Foundation/VAGA at ARS, NY
First Version
Second Version
Related Works in Other Mediums
Not in MoMA's Collection
Untitled
1987
Not in MoMA's Collection
Untitled
1987
Medium: Charcoal, pastel, and watercolor on paper
Dimensions: sheet: 25 3/4 × 20" (65.4 × 50.8 cm)
© The Easton Foundation/VAGA at ARS, NY
Not in MoMA's Collection
Untitled (Skeleton)
1996
Not in MoMA's Collection
Untitled (Skeleton)
1996
Medium: Ink, thread, and bone on handkerchief
Dimensions: sheet: 12 × 12" (30.5 × 30.5 cm)
© The Easton Foundation/VAGA at ARS, NY