Hamlet and Ophelia

Cat. No. 697/III

Hamlet and Ophelia

State/Variant:
State III of VI
Date:
1997
Themes
Figures, Nature, Spirals
Techniques
Lithography
Support:
Smooth, wove paper and slightly textured, wove paper
Dimensions:
composition and sheet: 29 11/16 × 41 7/8" (75.4 × 106.4 cm)
Signature:
Not signed
Publisher
unpublished
Printer
SOLO Impression
Edition:
1 known impression of state III
Edition Information:
Proof before the editioning of state VI.
Impression:
Not numbered
Background:
State VI of this composition was published as a benefit for the Brooklyn Academy of Music (BAM), a multi-arts center located in Brooklyn, New York. For more than 150 years, BAM has been the home for adventurous artists, audiences, and ideas—engaging both global and local communities. With world-renowned programming in theater, dance, music, opera, and film, BAM showcases the work of emerging artists and innovative modern masters.

BAM's Visual Arts Initiative, a program that connects the visual and performing arts, approached Bourgeois to produce a work to benefit the organization. Bourgeois offered "Hamlet and Ophelia," which was then reproduced on the program for the 1997 Spring Season.

The source drawing for "Hamlet and Ophelia" is Untitled, no. 135 of 220, from the series, "The Insomnia Drawings." The drawing was reproduced on the cover of "Otte," Bourgeois's 1995 rap album, with lyrics and vocals by the artist, music by Satch Hoyt and Ramuntcho Matta, and production by Brigitte Cornand.
Curatorial Remarks:
The lower half of this composition is collaged together from other pieces of paper, anticipating the addition of waves in state IV.
Description:
Lithograph, with collage, blue, red, and black watercolor, black ink, light blue, dark blue, and white oil pastel, charcoal, and tape additions
State Changes and Additions:
Matrices:
The progression of this composition, as seen in the Evolving Composition Diagram below, involved 8 lithography plates.

Plate 1 in red: figures.

Plate 2 in dark blue: horizontal line between figures, shoes, Adam’s apple, water.

Plate 3 in light blue: shading in Ophelia’s hair.

Plate 4 in turquoise: sky.

Plate 5 in dark blue: shading in Ophelia’s hair.

Plate 6 in black: horizontal line between figures, penis, Adam’s apple, shoes, eyes.

Plate 7 in light blue: waves and shading lines in water.

Plate 8 in dark blue: shading in sky, shading lines water, shading in Ophelia’s hair.

State Changes:
Plates 1, 2, 4, and 5 printed.
Changes from state II: plate 5 added, changing the shading in Ophelia’s hair.
Additions in black ink: horizontal line between figures extended on both sides; penis and Adam's apple reinforced; both anticipating addition of plate 6 in state IV.
Artist’s Remarks:
Inscription on the verso of the source drawing: "La confiance est [strikethrough] / devrait être / endémique petit à petit / je vais l'attraper / Sauvée par la Routine / 5 minutes at a time / Elle n'est pas Ophelia et ses cheveux / She is not Ophelia" center sheet, pencil, artist's hand; "HAPPY (FEB 14) / VALENTINE [sic] DAY" center sheet, red ink, artist's hand.
MoMA Credit Line:
Gift of the artist
MoMA Accession Number:
538.1997
This Work in Other Collections:
Mead Art Museum, Amherst College, Massachusetts (state VI)
Pennsylvania Academy of Fine Arts, Philadelphia (state VI)
Philadelphia Museum of Art, PA (state VI)
© The Easton Foundation/VAGA at ARS, NY

Hamlet and Ophelia

1997

Source

1995

Untitled, no. 135 of 220, from the series, The Insomnia Drawings
States
Hamlet and Ophelia
Hamlet and Ophelia
Hamlet and Ophelia
Hamlet and Ophelia
Hamlet and Ophelia
Hamlet and Ophelia
Hamlet and Ophelia

Related Works in the Catalogue

Couples
Le Lit Gros Édredon (with lips)

Related Works in Other Mediums

The Sweet Smell of Indigo
Embracing Couple
The Couple
Untitled