Progression

Cat. No. 549.2

Progression

State/Variant:
Version 2 of 2, only state
Date:
1990
Themes
Abstraction, Animals & Insects, Spirals
Techniques
Engraving
Support:
Smooth, wove Arches paper
Dimensions:
plate: 16 13/16 x 10 7/8" (42.7 x 27.7 cm); sheet: 26 x 19 5/8" (66 x 49.9 cm)
Signature:
"Louise Bourgeois. 1990." lower right margin, pencil.
Publisher
Business Committee for the Arts, Inc.
Printer
Gravure
Edition:
27
Edition Information:
There is 1 known impression of version 2, only state, outside the edition.
Impression:
"25/27" lower left margin, pencil, artist's hand.
Background:
Version 2 of this composition was published as a benefit for the Business Committee for the Arts, Inc. The BCA, now part of Americans for the Arts, was founded in 1967 by a group of prominent business people to develop alliances between businesses and the arts. It was initially based in New York, but is now a New York/Washington based organization. At its inception, the Committee established an award, given annually to companies that have developed outstanding alliances. From 1976 to 2008, the BCA commissioned American artists to create limited edition sculptures, prints and multiples to be distributed to award winners at the annual ceremonies. The Committee commissioned Bourgeois to create a print for the annual ceremony in 1990.
Curatorial Remarks:
Bourgeois admired the printing facilities of the Gravure workshop and also felt a personal rapport with the owner and master printer, Christian Guérin. Guérin helped the artist develop plates for several important projects in the early 1990s.
Former Cat. No.:
W & S 113.2
Description:
Engraving, with selective wiping, and chine collé
State Changes and Additions:
Changes from version 1: composition reconfigured on new plate, in engraving; maggot lengthened and tapered on bottom end.
Benefit Work:
For the Business Committee for the Arts, Inc., New York
Artist’s Remarks:
"This is a maggot... it is a larva that will turn into a mouche [fly]. In France, when I was a child, we were invaded by flies from March to November. Part of the work day was to fight the flies. Flies, tics, mosquitos, gnats... they represent constant trouble.

"This concerns the treatment of your demons... of your enemies. You turn your relationship with your enemy into a work of art. How are you going to do it? You have to enter into a dialogue with your enemies. You have to figure them out... you have to understand them to get rid of them... those nasty memories." (Quotes cited in Wye, Deborah and Carol Smith. "The Prints of Louise Bourgeois." New York: The Museum of Modern Art, 1994, p. 189.)

On personal stationary dated August 6, 1990, Bourgeois noted: " 'Progression' is a visual rendering of the thought: / tomorrow will be better. / Louise Bourgeois."

When discussing the related white-on-black 1989 pastel and gouache on paper (illustrated below), Bourgeois commented, "These are maggots. It looks like a very negative subject. In fact, it is not a negative subject at all. In fact, if I were religious, I would say that it is the theme of the resurrection. So it means that however hard things are, there is still hope if you believe in maggots. Something has decomposed, and it is from that decomposition that hope comes again." (Quote cited in Bourgeois, Louise and Lawrence Rinder. "Louise Bourgeois Drawings and Observations." Berkeley: University Art Museum and Pacific Film Archive University of California, Berkeley; Boston: Bulfinch Press, 1995, p. 162.)
MoMA Credit Line:
Gift of the artist
MoMA Accession Number:
522.1993
This Work in Other Collections:
The British Museum, London
Minneapolis Institute of Art, MN
National Museum of Women in the Arts, Washington, DC
Whitney Museum of American Art, New York
© The Easton Foundation/VAGA at ARS, NY

Progression

1990

First Version
Progression
Progression
Progression
Second Version
Progression
Progression

Related Works in the Catalogue

The Song of the Blacks and the Blues
La Mère et l'Enfant
Spiral Woman, plate 2 of 7, from the portfolio, La Réparation
Cocoon, plate 6 of 7, from the portfolio, La Réparation
Untitled, plate 1 of 8, from the puritan
Untitled, no. 12 of 12, from the portfolio, Anatomy

Related Works in Other Mediums

Spiral Woman
Lair
Untitled
Untitled
Untitled
Labyrinthine Tower
Untitled